The Cyberiad by Stanislaw Lem is a book I recently read, and loved. It was written in Polish in 1965, and translated to English in 1974. Lem wasn’t an author I had heard of, despite having read many science fiction anthologies. An online post that extolled him at the cost of my favourites like Asimov was what led me to this book. (I would have linked it, but I’ve forgotten how I found it!) Lem has been translated into 41 languages and has sold 30 million copies. But he was rebuffed by quite a few American writers including Philip K. Dick, multiple times, because he was perceived as being annoying, and had commented that American writing was “ill thought out, poorly written…” Also, his belief was that the only true motive for writing was to contribute to literature.1
It made me think of a post in one of the newsletters I often recommend to folks – Taylor Pearson‘s The Interesting Times. As I tweeted sometime back, his writing is centrifugal – pointing to books, posts and ideas, and centripetal – goes deep into an idea and provides food for thought (the latter is different from what Austin Kleon meant in the original framing 2). The specific post I am referring to – 4 minute songs, which was about certain rules that a creators need to follow if they want their work to be consumed and appreciated, was the latter, and made me reflect. I wondered whether, even at an individual level, we are increasingly optimising for others’ consumption over our own expression.
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