• Backseat

     Aditya Kripalani 

    Judging by the date of publishing, this is probably the prequel to the school of writing (not genre, but language skills) that has one Mr.Tripathi as its patron saint now. The word skills are right up there – my favourite would have to be “help her bare the night” which, in the context of dance bars, was unintentionally very funny. There were enough bloopers around to indicate that the above was not clever wordplay.

    The plot itself is fairly predictable except for patches, and the pace makes it bearable. The characters are uni-dimensional, though on a few occasions, they get out of their skin and go roaming randomly. The language is Marathinglish, and it’s possible you might pick up a few non-English phrases by the time you finish the book. (more…)

  • Immaterialism

    I was in Kochi recently, and was quite happy to find Uber there! About four years ago, a similar experience led me to write about how malls create a kind of homogeneity across cities. This is probably an advanced version of that thought, because I felt as though these were baby steps towards living in the cloud. If the apps (services) I use become available across geographies, how long would it take before location became irrelevant?

    “Of course geography is relevant. I have a home in Bangalore, what do I do with that?” leads me to the real point of this post – ownership. TC had a fantastic (guest) post sometime back (by Tom Goodwin) titled “The Battle is for the Customer Interface“. Quoting from the first paragraph – Uber, the world’s largest taxi company, owns no vehicles. Facebook, the world’s most popular media owner, creates no content. Alibaba, the most valuable retailer, has no inventory. And Airbnb, the world’s largest accommodation provider, owns no real estate. The post, of course, moves on to the business impact of this, but I felt that it is absolutely applicable in a personal context. (more…)

  • Gilly’s

    First published in Bangalore Mirror

    I’d been hearing about Gilly’s for  while now, and when I figured out that the crowd on Saturday nights would lead us to a Hoppipola-like experience, we decided to land up on a Saturday afternoon.  Despite that, the place was reasonably packed and there was definitely a peppy vibe about the place. There are two sections – the indoor area is dim lit and has more of a retro pub feel to it, and the outdoor is brighter, seems more cheerful, and if it weren’t for the bar stools, you could mistake it for a fun café. The walls are adorned with pop culture posters, typical pub humour, and occasionally glass paintings. The music is exactly what the 20-somethings would order and the decibel levels increased as the afternoon progressed. The focus on short eats, both in terms of menu items as well as portion sizes, ensures that you’ll not need to worry about your beer not having sufficient company. (more…)

  • The Entrepreneur and the Professional

    A fantastic article in The Atlantic titled ‘The Case Against Credentialism‘ traces the social-cultural and academic  roots of America’s current business dynamics. The part that interested me most was what the author calls the tension between the two cultures – the entrepreneurial and the professional. While both are cultures of achievement, the basic tenet of the latter is that he who goes further in school will go further in life.

    It gave me an impetus to write about this in the Indian context. Nothing as exhaustive, but a little note based on my experiences thus far, with much generalisation. My skin in the game is that it affects me personally and professionally. (more…)

  • Sons of Sita

     Ashok K Banker

    The final book in Ashok Banker’s Ramayana series. It is also the concluding part of the Uttara Kaanda, and is set a decade after Rama banished Sita. Luv and Kush, her sons, grow up in the hermitage of Valmiki, and from the first page, set out, unwittingly, on a collision course with their father.

    The author departs from the various versions I have read and puts a new spin on the events leading to the family reunion. I can’t be sure, but it would seem as though Banker’s version of Ayodhya is modeled after a superpower, complete with a political group called Republicans! Its acts of aggression, citing necessities that would seem selfish to an objective viewer, are easily comparable to what the US has been doing. Rama is portrayed as a king who takes on the mantle of an emperor on advice from a set of people motivated by their own vested interests. His relationship with his brothers has moved away from one of affection to more between that of a monarch and his vassals. (more…)