Once in a blue moon..

..comes a movie, these days, that forces me to write about it thanks to its mindblowing simplicity. Yes, that is a rare combination of words, at least for me. 🙂

I had hoped to watch Neelathamara when I’d gone home last, but was quite surprised to find that it wasn’t playing anymore in any of the theatres in Cochin. So, when it was released in PVR a fortnight back, I made it a point to book in advance, since very few Malayalam movies last beyond a week here. We had some drama off the screen, since Sreedevi Unni, who has a major role in the movie, was also in the theatre. Also, the entire title sequence was shown in split screen despite the traditional howling protests. Apparently the projection guy was busy with his dinner!! 🙂

In this age when the “poor girl meets rich boy and falls in love” theme is used mainly in film spoofs, it is perhaps impossible to imagine that this seemingly flimsy storyline can evolve into a movie that kept me spellbound for almost 2 hours. Neelathamara would translate to “blue lotus”, but as a character points out in the beginning of the movie, the flower in question is really not a lotus. But it does serve as a symbol of dreams, faith and perhaps, illusions too.

The movie is based on an original story by M.T.Vasudevan Nair, and was also made into a movie way back in 1979, with him writing the script. This is a modern retelling and the same author has made a few tweaks to suit a modern audience. Kudos to him for doing that but yet ensuring that the simplicity of the original story is retained. I couldn’t slot this movie into any pre defined movie category of mine. It didn’t make me think, it is definitely not timepass, it does not serve out dollops of comedy/drama/action and yet it affected me more than any recent movie has.

So what really was it that worked? There were a set of well written characters, who retained a certain integrity about themselves. Each of them were special in their own way, and not just the main characters, but the supporting cast too -Sreedevi Unni as the hero’s mother, Rima Kallingal as Ammini (after the urban woman in rithu, this character was a polar opposite, but handled well), Samvrutha as Ratnam in a neat cameo, the bhagavathar who never appears on screen, but whose music adds so much to the movie, the aashaan whose wise words about the nature of life remained with me, they all played a crucial part. The author also managed to leave a few things to the viewer’s imagination, giving enough hints to help complete the story. (Ammini’s story) Archana who plays the principal character of Kunjimalu steals the show with her subtle rendition. And though the hero is really no match, (erm, no pun intended, really) his portrayal of a character whose interest in the girl is at best a distraction, is quite genuine.

The songs are absolutely fantastic, and while sublime in themselves, also manage to take the storyline forward. This would be my favourite.

httpv://www.youtube.com/watch?v=gCk2KM-j0EE

The movie runs at its own pace, and yet never managed to bore me. A lot of it had perhaps to do with the way it has re-captured a rustic Kerala setting from a few decades back. The temple, temple pond gossip, aalmaram conversations, they seem a world from long ago, simple and almost self sufficient. I think that’s just it. While I was born in a city and lived all my life there, the world the movie is set in, is one I am familiar with, thanks to vacations and temple visits. The movie was a journey in time, and more than a place and time, it was a way of life. It rekindled a hope in me, that one day I’ll be able to go back to Kerala, and live in that state.. of mind.  Its a dream of simplicity, my very own neelathamara.

until next time,  if you haven’t done so yet, visit the spanking new home – www.manuprasad.com 🙂