Ann and Jeff VanderMeer

Ann and Jeff VanderMeer

Louisa Hall
If you’re familiar with Asimov’s works, you’d know one R.Daneel Olivaw. The robot who lived closed to 20000 years and shaped the fate of humanity. If you follow the Robot and Foundation series, it’s almost like Daneel’s biography. “Speak” reminded me of that because it is almost like a biography of AI. Or rather, an AI that was the most commonly used one until its doll manifestations – babybots – are shipped away to a desert for being too human-like. That’s where the book begins, and through five different narratives, we see its progression.
The book is as much about the narrators as it is about the evolution of the AI itself. Their voices live on through the AI, and a motley bunch they are. Mary Bradford makes her way across the ocean to Massachusetts some time in the 17th century, on a voyage (and a marriage) she doesn’t really fancy. She fills her diary with her thoughts on the soul, memories of her dog and her own confusions regarding her husband. In the 60s, the diary is read by Ruth Dettman, who convinces her husband Karl to name the (chat) bot he created MARY. They disagree on what memory could bestow on an AI (“MARY will remember your words, but it won’t ever feel them. It won’t understand them”, says Karl.) A little before that, Alan Turing writes poignant letters to his best friend’s mother. In 2035, Gaby White is a paralysed child, who cannot handle the trauma of her babybot being recalled. In 2040, Stephen Chinn, the inventor of the babybot, is a tech whizkid whose rather unfulfilling personal life is in sharp contrast to the various companionship tools and books he has given society, the climax of which is his imprisonment for a creation that was too human. MARY has been shaped by them, and their lives have been shaped by MARY.
The strands of cause and effects are too complicated to be completely unraveled, but there is a cohesive narration that is evident. I liked the book not so much for this structure, but the sensitive portrayal of nuanced and layered emotions. There is a neat irony here – what it means to be human conveyed through AI and flawed humans who worked on it.
Each “voice’ hits its own distinct note of poignancy, and the author’s prose handles them wonderfully well. There is a lyrical quality that adds much to the narrations. One of those books where the words reach out from the page, and make you pause and sigh before you read on. I think it worked for me because at its core, the book is about a fundamental human need – the desire for companionship, and the need to be understood.

Greg Egan
I have always been amazed at Neal Stephenson for being able to write Snowcrash and The Diamond Age in 1992 and 1995 respectively. I am now equally amazed that Greg Egan wrote this in 1995. In fact, even more, because while the first two books were novels and dealt with a smaller number of concepts, this book is a collection of short stories, and except for a (connected/repeat) couple, are unique concepts. Imagine, 18 stories with ideas that would still be regarded as science fiction!
In addition to this, there are at least two factors that made me a fan. The first is that while the ideas themselves are wonderfully imaginative, the focus really is on the effect on humans and humanity. Nuanced explorations of how the human psyche functions and reacts when faced with profound moral choices. The technology, though advanced, is taken as a backdrop against which societal, psychological and philosophical questions are raised and consequences revealed. ‘The Hundred Light Year Diary’, for instance, where everyone knows their fate, or ‘Eugene’, in which a couple try to design a perfect child. Both stories featuring the ‘Jewel’ are a wonderful study on the idea of consciousness. ‘The Walk’ is a fantastic thought on ‘identity’. ‘The Moat’ I found particularly relevant in this era when we are facing a widening economic divide. (more…)
Isaac Asimov
Forget science fiction, if you are the kind who is affected by story telling and the imagination involved therein, this is a must-read. Its amazing that even after half a century has passed, and humanity has advanced quite a bit, Asimov’s work, even in terms of human relationships, raises questions we haven’t even begun exploring. He has a great sense of humour, which raises its head at the most improbable moments, thereby making it all the more fun.
The collection has quite a few stories about Multivac, the super computer that guides humanity and its actions. ‘The Last Question’ is an amazing piece of work that deserves special mention. In addition to being a fantastic science fiction tale, it also offers a wonderful take on the origin of the universe.
The other story that’s interesting happens to be Franchise, whose storyline is that by studying patterns of human behaviour over a long timeframe, Multivac is able to use one person as a representative sample and elect the US president basis his choice of candidates. The story is set in 2008. I guess humanity hasn’t progressed as fast as Asimov imagined. More change we need. 🙂
Now for Volume 2.