Tag: Positioning

  • Brands – Maturity, Transparency, Objectivity

    On the day that gay sex was made legal in India, I had wondered aloud on Twitter, whether condom brands like KS, Moods or even a deo brand like Axe – whose communication is all about attracting people (the female gender so far, since its a deo for men) – would use the occasion to provide a bit of a twist in their standard advertisements. As expected, none of them did. Which led me to wonder on the maturity of audiences and those of brands. (‘maturity’ for the lack of a better word, a more elaborate description follows)

    From an experience in an earlier place of work, when we had played on the visuals of Sai Baba and Jimi Hendrix and talked about music and religion, I have seen the fear that marketers have about how the consumer will react to a communication that could be taken as offbeat. In the case above, one could argue about hurting sentiments of followers (Sai Baba’s, according to the client, Hendrix’, worried the copywriter ๐Ÿ˜€ ), but there really wasn’t anything derogatory. Now that may be a subjective reaction, so let’s go back to the initial example. I’m reasonably sure that even if KS/Moods/Axe had thought of this, they might have decided not to pursue it.

    Is that because of a simple positioning mismatch that they perceive, or is it a fear to push the boundaries, of what they perceive as acceptable to their audience? Something that goes against the image they have created. But, as we keep discussing here, consumers are moving on. They talk to each other, and share their experiences about the brand, which may or may not work in advantage of the brand.

    Meanwhile, I recently read an article in the New York magazine, which got me thinking quite a bit on this subject. The article was titled ‘Say Everything‘, and talked about what the author perceived to be the largest generation gap since the hippie generation. While the extreme scenarios outlined in the article- of the kind of photos and complete transparency, of thinking of themselves as having an audience, of archiving their adolescence, of having a thicker skin than earlier generations- may not be what the average youth indulges in in his community, it does point to a generation which is growing increasingly uninhibited with sharing more and more of themselves with others on the net. The author points out that with surveillance cameras, transaction tracking etc becoming the norm, this complete transparency approach might be a saner route.

    In fact aren’t FB/Twitter status updates, and even online journals that many in my generation indulge in, also cases of living for an audience? The details of what they share might vary when compared to a younger user set, but this seems to be a trend that may not be scaled back, and in all possibilities, would increase. With the social tools that keep improving the ways to communicate, and share, can brands afford to cling to the kind of communication that they are used to delivering to the audience?

    In another article I read, YouTube blogger Kristina Horner, who was criticised for working with Ford Fiesta, makes a wonderfully simple, yet passionate argument that for “both bloggers and brands to be successful they need to accept that traditional advertising is not-effective (and even rejected) and that publishers like Kristina can find a win-win situation where a brand supports their work without compromise.”

    Would being completely transparent (yes, that is a bit of a redundancy, i guess) ensure that brands get a fair deal from the people they communicate to? Like I read in another context, would transparency fulfill the function that objectivity is supposed to?ย  But as always, transparency is not something that can operate only in communication, it moves to product, and many other functions within the organisation. So, as more and more consumers realise what Kristina has articulated so well, shouldn’t brands also take some initiative in changing themselves, and collaborating with their consumers?ย  That would take some maturity, i guess. ๐Ÿ™‚

    until next time, audible audiences

    PS. For those missing the Tool Aid that is the blog’s staple diet, here are a few interesting reads

    The Sysomos in depth Twitter study that places India in the top 10 countries in which Twitter has been growing.

    The Razorfish Social Influence Marketing report.

    The Wetpaint/ Altimeter list of the world’s most engaging brands, and how there might be a link between engagement and financial performance

  • Leaps of faith

    The new Samsung TVC, starring Aamir Khan has been airing for sometime now, and I’m still trying to figure out exactly what it means. I’m okay with a brand aiming for the best, and looking out for cutting edge technology, but what’s with the tagline – ‘Next is what?’ Is that a question to me? Are you trying to keep me guessing?

    When I see AK jump in the last scene of the TVC, it is, to me, a leap of faith, something which I might be willing to take when its Nokia we’re talking about. But, at this point in time, Samsung has yet to prove to me, its technical superiority, its aesthetic sense or any of the other parameters like value for money that I consider when I make a mobile purchase decision. What Samsung has successfully communicated to me, with this TVC, is that they themselves are not sure what’s going to happen next, and maybe I should wait sometime before I pick up a Samsung handset.

    When a brand reaches the zenith in whatever category it is in, it is sometimes smart to ignore the #2 totally, and start positioning itself to be beyond all the mundane new feature/market share/pricing strategy/tactic that it might have resorted to in the past. But, how smart is it when you’re a distant #3 in the market?ย Itย  makes me wonder if brands also should follow a tweaked version of Maslow’s hierarchy, find out where they figure (in the consumer’s mind) and design communication accordingly. Yes, i agree that brand and people occupy multiple levels at the same time, but at least there would be some method in the communication madness.

    When I saw a ‘Next is the spirit of the Olympics’ ad, I couldn’t help but remember this wonderful article. I quote from it “Modern branding has evolved. From its roots creating detailed guidelines for enforcing corporate logos it has become a sophisticated effort to define the compelling and differentiated value that an organization or product offers its customers. And it aspires to create experiences of that value across all interactions. It goes beyond design, messaging, websites and advertising. It touches product development, recruiting, customer service, sales, and it drives and emanates from the very core of every business: culture. Thatโ€™s where these campaigns miss the mark. They tell me who they are, but not why I should care. They provide an introduction, but canโ€™t sustain the conversation. And I donโ€™t have much attention for brands without substance.”

    I’d have been less acerbic, if I’d seen at least a semblance of involving users in this entire positioning exercise. A developer’s community which takes feedback from users on what they want to see in the next samsung mobile model, updating consumers on what they are working on, building some interest around it, and so on. To be fair, they have done something, though the community link took me here. ๐Ÿ˜

    Tell you what, here’s a free idea, go ahead and sponsor the second season of Bigg Boss. The last season, I always used to wonder, ‘next is what?’ !!!

    Which takes me to another premise, I thought a slightly more interesting one. If brands were really gutsy, they would do some product placement in Bigg Boss. From paste, soaps and shampoo, washing soaps to Real Good chicken, tea and coffee brands, apparel brands, exercise equipment, Veneta Cucine kitchens,ย  every damn thing that we use in daily life could find its way there (of course keeping in mind the rules of the show, so no TV, mobile etc) Yes. MDH Masala too!! In fact, the contestants shouldn’t be told in advance what the brands are, so no rigging. Have competing brands also. Yummy!! What you get is a real chance of ‘celebrity’ endorsement. Imagine Rakhi Sawant saying ‘Tide makes washing so easy that I wish I’d more clothes’. Ok, cheesy, but you get the idea ๐Ÿ™‚

    But that requires absolute faith in the product, and having the maturity to accept criticism and ensure you never make the mistake again. We still have a long way to go before brands can handle reality television, or reality.

    Meanwhile, next is WAT too, who’ve got an absolutely cool new design. Go check it out.

    until next time, WordPress has a ‘next’ button too ๐Ÿ˜‰

  • Better..Best..Bested

    A long time ago, during those heady MBA days, a few of us had put together a theme for the batch – kaizen, a Japanese philosophy for constant improvement. I think it still holds a lot of relevance with regards to the way brands treat themselves. Google, while not the web’s knight in shining armor it used to be, still teaches a lot of lessons, and I remembered them when i read this article on how, perhaps the first killer app on the net – email is now being challenged by things like micro-blogging platforms.

    Remembered them because, even though they were late entrants into the arena, the ‘invite’ marketing really worked for GMail, and though competitors matched or improved their storage space factor, GMail was so good, that I have never felt the need to consider an option. Thats also because while most other players stopped after they matched the space and minor additions, GMail kept improving, and still does – check this and this. And the counter on the GMail homepage continues to increase. Constant improvement.

    Meanwhile, the proposed competitor to email, micro blogging, and more specifically Twitter also seems to be on a constant improvement mode. After being heavily criticised for their downtime, they seem to be getting that under control and now the rumour mills are abuzz with their proposed purchase of Summize.

    On the flip side, I saw a video sharing site – Viddler.com, with some pretty cool features, like being able to add tags and comments right within the timeline. So when a scene appears, the comment appears right then. I haven’t seen too many innovations from YouTube recently. I also read a nice article recently, on how del.icio.us had perhaps lost the chance to become Friendfeed. Intriguing, right? Perhaps, Yahoo may be getting the message, and hence this radical move in the search space, where lots of new players like Yoozilla, Gloofi, Evri and possibly a dozen others are cropping up and doing amazing things that Google is perhaps missing out on. And while Google ups the ante in virtual worlds with the launch of Lively, there is Vivaty, which is ‘virtual world meets social networking’

    So, is improvement a function of current size? When a player gets beyond a certain size (in terms of products, sales, manpower and so on) is it then tougher for them to improve constantly.? Does the growth curve plateau and newer, smallers start taking the shine off from the once nimble large player? If we stretch that and step back a bit, is that the reason why say, a traditional set of players like newspapers are having problems adjusting to the web (generalising here) while new entities like Instablogs or possibly soon, a Topix (a potentially cool site, you must take a look) increase in popularity and relevance?

    In the future, will this constant improvement create a scenario where services will, in short time frames , change so rapidly, that they will bear only a slight resemblance to what they started out as, with only the brand name being a constant, a brand that stands for the cutting edge in that service category?

    until next time, zen and the art of constant improvement

  • More to watch

    I’m quite an Aamir hater these days, after his unpalatable sense of humour, and that has prompted me in the past to be a savage critic of most ads that he does. Of course, I really feel that he has not been used correctly, but I have always wondered if I was being objective enough.

    So when I read that Titan has brought out a new TVC as part of its rebranding exercise, I thought it would be an interesting exercise. Do have a look at the TVC here. While the line – Be More is definitely new (though it reminds me of a Nokia commercial) I’d have to differ with the afaqs PR release if it means to say this is a brand new positioning. It is only carrying forward the old ‘Whats your style’ positioning. In fact I dare say that this path starts about here (it might be before, but at least this) and is well on its way towards the latest TVC by this.

    Having said that, the ad has been executed very well. It exhorts you to rise above your daily mundane existence and experiment with life – get down at an unknown station, take tickets to a random town, learn from your own mistakes.. And thankfully even the humour looks good on Aamir- not to resemble your passport photo for more than three months, checking out a girl while meditating and saying ‘Explore’. The ad ends with a reminder of how, during childhood we had so many dreams, and asks you to ‘be born, everyday’

    And so, while the ad theme does remind me of the Tata Safari ad – Reclaim Your Life ad, the usage of Aamir, for once, is great. For a while now Aamir has been reinventing himself regularly, whether it is in terms of the variety of characters he plays, or the style statement of each – Dil Chahta Hai, The Rising, Fanaa, Taare Zameen Par and the latest Ghajini,ย  each character is unique, and most often, radically different from the earlier avatar. This quality of Aamir fits this ad perfectly, only I feel that some brands have already thought of this before. Remember the Coke series of ads, this Toyota ad featuring Aamir and this one too, which says ‘What role are you playing today?’?

    So what? So nothing, just saying that Titan really hasn’t done anything radical, and if repositioning is the idea, maybe its important to position the brand ambassador differently.

    until next time, tighten

  • Carp

    I usually don’t pay much attention to car and bike ads, primarily because I am not their target audience, at least for now, and from a brand pov because, they will either show me ads, attitude or stunts (though i liked the most recent Pulsar ad, the music mostly ๐Ÿ˜‰ ) I really can’t blame them, they are dead if they do, and killed if they don’t.

    But I recently caught the Mahindra Logan ad because I thought Kunal Kapoor wore the same clothes (in one shot) he did in the Indian Terrain print ads. :p So i watched to make sure, though I haven’t figured it out yet. And I wasn’t paying attention to the ad content, but I watched it again thanks to a very thought provoking comment on another ad from the same category (cars). That was the Tata Indigo CS ad. I had caught that earlier thanks to its manic frequency and some nice music. We’ll talk about the comment in a while.

    Kunal Kapoor, in the Logan ad, wonders and questions the same rat race we are all participating in, our fear that keeps us from thinking differently, says how style can’t be achieved by showing off, and how one should think different from the herd. Mahindra Logan is more than ‘dikhava’ and apparently ‘the answer is here’. (Er, answer to what? the only question i heard was ‘why?’ ) :pย  That would come under the attitude + style category, but quite a ‘straight’ take.

    The Indigo ad was one that a lot of working pros could identify with. It shows an employess whose boss doesn’t miss a single chance to bully him – whether its opening his cabin’s shades just as the employee is about to take a break or showing off a better pen, or a tea set, or coming to his cubicle when he’s about to call his girlfriend/wife or any of the little things, that the ad uses to tell a real and believable story. The twist is in the parking lot, where the employee takes out his absolutely different car from among the regular cars around, while his boss is caught admiring the car, and then burning with envy while he drives off. The punch line- ‘at the end of the day, style does matter’. A ‘style’ ad that is treated with humour. The punch line for me came from the wife, who pointed out that while the employee can drive home in that cool car, the next morning after he drives to work, he’ll still have to work under the same boss, and take the same crap.

    Now, i’m not sure if many people would think that way, but if they did, it would be very sorry for the brand, because would consumers want to be associated with the kind of servile attitude that the employee projects during most of the ad, and then relies on his car to go one up on his boss? Especially if the target audience is a no-nonsense generation that has confidence in its own abilities?

    For me, the lesson was that no humour ad can be consumer-proof. There’ll always be a smart alec around who will twist your communication ๐Ÿ˜

    until next time, with consumers like these, who needs competitors?