Tag: Pico Iyer

  • Back to eternity

    Despite being a Star Trek fan, I happen to think that Time is the final frontier, at least in the horizon that I can see. I find it quite intriguing that, though it might be looked on as a tool for tracking, I can perhaps not account for most of my lifetime. I don’t mean the large picture, I haven’t lost it totally yet, but specific minutes. Take for example, the last hour and account for all the thoughts that rushed in. I would find it difficult.

    If you close your eyes, and allow your breath to be the only meter, the perspective of time undergoes a shift. Meditate a bit, and its easy to see. Easy to see that even the measurement of time – years to seconds and beyond is our  construct. But it is so ubiquitous and enmeshed in our lives that it seems as though it is a constant and only we change. It requires dramatic events for us to pause and note the passage of time. Kahlil Gibran has said, ‘Perhaps time’s definition of coal is the diamond”

    Meanwhile, I wonder if all the information about those unaccounted for minutes is stored somewhere in my brain, and is just not deemed enough to be of any priority for me, and hence seems inaccessible. The tools that consume me these days – most specifically Twitter, and more recently, Foursquare, also help me keep track of what I’ve been up to, and when it works the same way for everyone is when there is an information deluge, and that seems to be something we find difficult to handle. Something that we have discussed before. There is a toon I found (here) that correctly describes the way a lot of us seem to be functioning now

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    And in another example of how man is shaping his own evolution, I read about companies like Lifenaut, which  ultimately aim to create humanoid robots powered by a backup of the original human’s brain. (via @pkaroshi) The first step is to create a digitised version – an avatar, and give it enough data for it to mimic the original human. It makes me wonder whether we will be able to create ‘consciousness’.

    And that makes me think a bit more – by the time, we are technologically advanced to create it, will we have forgotten what consciousness is? Which also begs the question whether we have ever understood it at all, when we are not even mindful of the minutes of our lives? How does one define it? So many reactions which seem pre-programmed when one thinks of it, actions and reactions more out of habit than any conscious choice being exercised.

    So yes, with all of the work happening at a rapid pace, (do read) I think its more ‘when’ than ‘if’ – that we will become immortal, and time, from a future point of view, will become immaterial, because the future will be infinite. But we still may not be able to undo what we did a minute back. Where does that leave us? To quote Pico Iyer (from Abandon) “God has to be understood in the context of everything that is not Him”. But that is a different discussion, I guess. Its only that with every advancement that humanity makes, and in that process also usurps things once attributed to divinity, I begin to wonder where that leaves our versions of God?

    until next time, time.ly links 🙂

    PS. I tweeted sometime back, even if you never read an Asimov work, or never plan to, this is one that you should read. The Last Question.

  • Storied

    The best thing about buying second hand books is that they might contain stories. No, I haven’t completely lost it, I meant additional stories. Messages, notes on the side, bookmarks from previous owners – they’re all stories. Stories that give you a tiny glimpse of the person who wrote it, or the person it was meant for. The last one I saw – in Pico Iyer’s ‘Abandon’, was very interesting. It said

    Dearest A****,

    Though this seems, and is the last day at C-72, I promise that its the first day and a nev be start to the best days of our life together.

    Yours

    S*******

    30/Aug/03

    I thought there was an amazing sense of romance in that little note. A story from almost seven years back. I wonder why A sold the book. Did they break up? Maybe she didn’t like this genre? Maybe they shifted, and there was no way to carry this. It was an empty page, A could’ve torn it off, she didn’t. Maybe she didn’t have time, maybe she didn’t care.  Maybe she didn’t remember. Maybe, God forbid, something happened, and S didn’t want any memories? Maybe  she returned it to S after they split, and he sold it. Maybe S never gave it to A, and instead sold it because some memory was too painful? Now you see the possibilities? But, to quote from the book itself “We are no greater than the height of our perceptions”.

    I’d only started on the book, but it had already given me a thought. “The death of the author is a way of talking about the death of God. The world itself becomes a poem whose author disappeared long ago.” So the poet dies, the poem remains, the artist dies, the art remains, the author dies, the book remains, God dies, his creation remains, to be interpreted and shaped by us, the ones who see and experience it, limited by the ‘height of their perception’. Maybe the creation was never completed? Like the stories that remain in the head, never to be told. Like the pages that fill the waste baskets. Like the blog’s draft folder? 🙂

    Meanwhile, on the next page of the book, there is a signature now, dated 10/04/10. He thinks he won’t sell any of his books.. ever. But then, stories have a way of twisting themselves in time. 🙂

    until next time, home pages 🙂

  • Rambowed

    I started reading a Pico Iyer book a few days back “Video night in Kathmandu”. I was hooked on from the first page because he started off with an icon from my childhood – Rambo 🙂 Pico Iyer writes about how in the mid 80s Rambo took over Asia – China, Indonesia, Burma, Thailand, India lording over cinemas, inspiring local versions and becoming what the author calls (then) America’s single biggest export, and the most powerful force in Asia that autumn.

    I could identify totally with this. I still remember the trips to Guruvayur, the famous temple town in Kerala. No, I haven’t totally lost it. You see, the rest of the family went to Guruvayur with spirituality in mind, but for me, it was mostly materialistic, the kind of simple joy that a typical 7 year old finds in staying in a hotel for a few days, having ‘non home’ food three times a day, and most importantly, after convincing everyone on how intact his spiritual outlook is, manages to charm his way into getting himself a few toys. The strange thing was, the toy shops that abounded around the temple had some excellent collection of superhero stickers, labels for notebooks and various knick knacks that I could never find in Cochin. So I always made it a point to devote a lot of time to checking out the stuff on display before I made a purchase.

    [Aside: I also remember buying my first and only guitar there – a plastic contraption with Rishi Kapoor and Karz on the packaging]

    And that’s how I found a toy set that enthralled me for (I think) at least a year. It was a Rambo kit! And in the days that followed, several citizens of a certain university campus in Cochin claimed to see a creature that suddenly sprang out of the bushes and from behind the acacia trees, dressed in (what were formerly decent) t shirts and trousers, with dark green crayon marks on them, similar to the ones on the face, with a cloth around his head and carrying plastic bows, and arrows that stuck to conducive walls using vacuum, and with a plastic gun and a sheathed plastic knife inserted into the trouser loops. The outdoor covert operations lasted only a few days, since, after scaring an old woman, the creature was captured, hauled (bawling) to his mom’s presence and subjected to severe interrogation, and mild physical punishment which resulted in more bawling, and confiscation of weapons. The weapons were returned the next day, but the theatre of overt operations was restricted to indoors. More than a couple of decades later, these memories came storming back when I read the book, and as though the cosmos was conspiring, I got to know that Rambo (Part 4) was premiering that night on television.

    But though he had conquered enemies in Vietnam and Afghanistan, Rambo was yet to face an Asian force, that having been born in the late 70s, would prove a formidable opponent to the aged warrior – D, no, not the one with the shades and company, but my wife. Yes, you could  argue that she has shady company too, but I shall ignore that for now. And that was how Rambo lost his first battle, as D refused to  even entertain the thought of watching the movie, and an agitated fan helplessly watched Cloverfield on another channel. D had drawn first blood!! Maybe I should practice my bawling.

    until next time, marital laws!!

  • Video Night in Kathmandu

    Pico Iyer

    Set in the mid 80’s, Pico’s travel writing worked on two levels for me – one, in terms of his destinations, and the other, in terms of time. Right from the first page, with his interpretation of the Rambo phenomenon in Asia, his sharp wit makes this book a great read.
    He uses individual characters in different places (India, China, Tibet, Nepal, Burma, Thailand, HongKong, Japan, Philippines) to describe the place’s character. In some cases, the stereotypes are reinforced, but in a lot of others, he manages to fit in and yet observe objectively.
    He discusses the influence of the West on the East and tries to show each of the places he has visited have reacted to it – some by shunning it, some by completely absorbing it, and some by adapting it and making it their own.
    I felt that throughout the book he stayed true to his observations, though the perspective was tinged with a favouritism for the east.