Tag: Mammootty

  • Destination Nowhere

    My reading habits are quite predictable, and as with most of my habits, they become more concrete over a period of time. I pessimistically call it building my own prison walls, and the statement works across contexts. 🙂

    But sometimes I rebel against this. In the case of reading, one of the things I do while shopping is to consciously choose a book that I wouldn’t normally read, or better still, I let D choose a few books. But a better disruption happens during Kerala trips. At D’s parents’ home, I pick up a random book which I normally wouldn’t go anywhere near, and finish it. This time it happened to be Randy Pausch‘s ‘The Last Lecture‘. To give you a quick perspective, the book is based on the last lecture given by Randy Pausch at Carnegie Mellon, and adding to the University’s aim of “what wisdom would you share with the world if it was your last chance?”, he also makes it a message to his young children, since he has been diagnosed with a terminal illness.

    In many ways, though personal, it’s the typical inspirational book, but several parts interested me. At one level, the author’s penchant for following childhood dreams struck a chord with me, for I have always entertained a notion that our childhood aspirations are instinctive and free of the baggage of later life. In that sense, it’s perhaps closest to what we’re really meant to do. Debatable, but it’s a belief nevertheless. 🙂 The professor also gives perspectives on following dreams, and the roadblocks one might encounter. He believes that ‘brick walls’ are there for a reason – to see if you really want something bad enough.

    Later in the trip, we visited Cochin’s contribution to the country’s ever growing mall list – Oberon Mall, to catch a movie at Cinemax – Mammootty’s ‘Best Actor’. The story of a man who while working as a Hindi teacher to fulfill his familial responsibilities, believes that he is destined to be an actor, despite his age and the mocking attitude of several around him. (slight spoiler) In a desperate last ditch attempt, he takes the unintentional advice of a film crew (how Vivek Oberoi landed a role in Company) and becomes part of a street gang to ‘learn’ his role the real way. As is his wont these days, Mammootty excels in a role and the script gives him enough ammunition. Ranjith, playing himself, advises Mammootty’s character, and tells him that if he has decided to become an actor, then actor he will be.

    I’m a sucker for cosmic message theories and two random works seemed to be giving me the same message. My problem though, is a step behind. I am yet to find what I really want from life – the one thing that will drive me, the thing I am born to do. Almost everything I do these days is an attempt to crack that question. I am also constantly seeking out Dutch uncles (another term learned from the book) to give me perspectives on brick walls and a kind of laziness I blame myself for.

    Funnily, I also received contradictory messages – a random link shared by someone – Osho’s talk on anger and not desiring (so) intensely and later (via Surekha, who now believes that irrespective of destiny, my destination is the Himalayas 😀 ) Chinmayananda’s talk on the journey being the goal.

    As always, this Kerala journey too gave me much food for thought. But Randy Pausch’s poignant line reminds me “Time is all you have. And you may find one day that you have less than you think”

    until next time, time tableau

  • Putting on an act

    For a while now, Renjith has been the gold standard (for me) in Malayalam cinema. Yes, he still disappoints occasionally, but his good works more than make up for it. So I had no hesitation in booking tickets at PVR for Pranchiyettan and the Saint. In addition to writing, directing and producing the film, Renjith also lends his voice to Saint Francis’ character, who starts speaking fluent Malayalam at the end of a hilarious sequence in which Mammootty questions whether the Christians of Kerala were being idiots by praying in Malayalam to a saint who couldn’t understand it.

    If someone had shared this script with me a few years back and told me to pick a lead actor, I’d say Mohanlal. But not anymore. The two superstars of Malayalam cinema have always been contrastive, on and off screen. Mohanlal earned his chops with portrayals of characters that we could either easily identify with or be in awe of. We laughed with him, cried with him, egged him on. In the mid nineties, he moved on to roles that had more serious shades. Less than a decade later, the actor in him died, leaving fans like me fighting discussion crusades that lacked heart. His last good performance was Thanmathra. When people talk about his supposedly superlative performances in films like Bhramaram, I wonder if they have lowered the bar, as a favour to their favourite actor.  I can understand that, most of his other releases make me cringe. I also wished movies like Pakshe and Pavithram hadn’t been made earlier, so that he could’ve done them now. His interviews make me wonder how this serious person with a philosophical perspective on even mundane things could ever have done those amazingly funny characters early in his career. Its a glimpse of the abundance of acting talent he possessed. Now he is just a superstar.

    Mammootty, on the other hand, I had never considered a brilliant actor, despite films like Thaniyavarthanam. It was his screen presence and the strength of characters that carried him. Cop, lawyer, CBI sleuth, he brought a special something to the role, which made him a star. But the thought of him doing comedy was funny, despite coming across in interviews as a very witty, fun loving person. Over the years, he has slowly scaled his repertoire. Now he dazzles us with films like Kaiyoppu, Loudspeaker and Paleri Manikyam, each a different genre and style, and even in utterly nonsensical films like Pokkiri Raja (a Tamil film made in Malayalam, go figure) he displays a comic timing that makes you forgive the movie. In an equally masala commercial movie called Daddy Cool, in one scene he references a character he played 13 years back! Instant Classic. At 56, the method actor has arrived.

    Mammootty is now extremely comfortable as an actor and is not afraid of even having fun at his own expense. The things the mimicry guys used to feed on – his dancing skills (lack, that is), hand gestures are all part of his own comic repertoire now. On the other hand, Mohanlal is a shadow of his former self. One can actually see the labouring that goes into his acting now, where, once upon a time, his portrayal of characters seemed so natural that we regularly forgot it was an act.

    I thought about both of them in the context of talent and passion – last week’s post. Having seen the above two, I have to wonder again whether passion commands more perseverance than talent.

    until next time, cut.