Tag: Kalpish Ratna

  • Mumbai Noir

    edited by Altaf Tyrewala

    14 stories, divided into 3 sections, edited by Altaf Tyrewala, that’s Mumbai Noir. A completely different version of the city from the usual grandiose, glamorous ones that most fictional works create, it definitely lives up to the title.

    For some reason, I saw more of Bombay in this than the current Mumbai – in terms of the city’s character and how the actions of various people across different stations in life helped create it. Altaf’s introduction sets up the overall tone and feel of the book pretty well, and sensitises us to the stories ahead.

    In the first section – Bomb-ay – Riaz Mulla’s take on how ordinary hard working people become pawns in the machinations of global terrorism is an excellent start. Paromita Vohra’s mix of internet and real life ‘romance’ and trust makes ‘The Romantic Customer’ a neat read. Devashish Makhija’s ‘By Two’ is quite surreal and tragic, and Abbas Tyrewala’s “Chachu at Dusk” has to be a contender for my favourite among the stories. It captures the transition from Bombay to Mumbai the best.

    (more…)

  • Quarantine Papers

    Kalpish Ratna

    This book was an impulse purchase, a rare thing for me. The ‘trailer’ (not a synopsis) on the jacket hooked me, and thankfully, unlike a couple of cases earlier, this book didn’t disappoint.

    I think what takes it beyond a ‘thriller’ set in two ages is the layering and detailing, and that starts right from the author name. The book is credited to ‘Kalpish Ratna’, which is actually an “almost anagram” of the two original authors – Ishrat Syed and Kalpana Swaminathan. This layering is present across the book and so forced me to pay attention to each line because of the nuances. I wondered why they had to use different fonts but a few pages showed me how sensible they were in doing it.

    The story too is interesting in itself and has Ratan Oak as a protagonist who leads a ‘double life’. Ratan has a submerged identity, that of his great grandfather Ramratan Oak, and is able to recall his life – events and people.

    The book proceeds to juxtapose the 1992 Bombay riots following the Babri Masjid demolition with the plague that first appeared in Bombay in 1896-97. And not just juxtapose but create a plot that links the two events and show how the attitude and behaviour of society are just different manifestations of the same basic feelings.

    The narrative pace never slackens. The detailing of characters is excellent, and the different pieces of the puzzle are made to fit, with attention to details. From characters in history like the Kiplings, Bal Gangadhar Tilak etc to Urdu poetry, and the amount of research that has obviously been done, this is a very unique book and a must read. It has been mentioned that this is their first Ratan/Ramratan Oak novel, and if they’re planning more historical juxtapositions, I’ll certainly be waiting to grab a copy.