Tag: hero

  • Reference Groups for Heroes

    Scott Adams had a very interesting post ‘The Comparison Advantage‘, in which he writes about status related stress when “media is changing our reference group. We’re continuously bombarded with stories about people who are fabulously successful.” I’d add that social media is also a big culprit. According to him, the cure is  “to make sure you’re near the top of at least one reference group in your life.”

    With some difference, this is a thought that had crossed my mind long before I read this. But before we get to that, an interesting thing happened. A couple of posts (in Google Reader) after the above, I came across a post by Nilofer Merchant on HBR Blogs titled “Be Your Own Hero“. Completely contradictory? No. But related and yet different perspectives? Yes. This author asks us to junk the ‘Hero Narrative’ and pushes us to be our own hero by following our own passions and not trying to emulate anyone – a “clarity of purpose” for oneself. One of the proposed mantras is also “I shall not obsess over others’ success”, in addition to doing our bit to co-create the future.

    And now we can come back to my thought. I can relate to Nilofer’s views because that was what led me to leave a cubicle and explore the path of being employed by myself. One and a half years gave me an immense amount of learning, one of which was that even with a well thought out ‘personal purpose’ in hand, it was difficult for me to stop comparing. It really didn’t help that the gestation time for it was quite high, and a ‘need it now’ attitude, probably heightened by social media, also played its part.

    After much thought, I jumped back into a cubicle, before which I rewrote the ‘personal purpose’, in which I attempted to factor in the statustics. Putting a full stop to comparison is a long journey, and I’m already on it. An insight (humour me 😉 ) I had while thinking about the ‘compare feature’ was that so far I had been dependent on one of my identities heavily. Mostly it was my work visiting card. So, when comparing, I wasn’t really acknowledging the other things that I was doing, and doing reasonably well. And that is where I mash Nilofer’s ‘personal purpose’ with Scott Adams’ ‘reference group’. I don’t need to top any of my reference groups, but I need them so that my ‘personal purpose’ is balanced between various activities and relationships. That way, I don’t have to kill myself for not blazing a new trail independently. The cubicle job allows me to work on the things I like to work on; the blogs, social platforms and columns allow me to explore other avenues of interest and gives me a sense of worth, and when I need a hug, there’s D and friends and family. I try to make conscious decisions on each of these, keeping the others in mind. Multiple identities, multiple reference groups, all part of the personal purpose. Early days, but the signs are good.

    until next time, try id out 🙂

  • Dead Ends

    Ever since I saw Via Darjeeling, I’ve had this thought. In every movie that I’ve seen, the hero has to be victorious at the end. The villain never wins.

    Of course, there are movies with tragic endings, where the hero dies in the end, but its always due to life circumstances than the villain in particular. Also, in Bollywood multi starrer movies of yore, whenever the number of heroines was lesser than the heroes, one hero was destined to die somewhere before the end. Sholay like scenarios, where its technically impossible for the hero and heroine to get hitched, are also included in this. There are also side heroes who end up martyrs. Add to this, the various instances of heroine/brother/mother/ human friend/ dog friend etc taking revenge on the villain  (the last one was specifically included for Teri Meherbaniyan) and you never see the villain win. Anti heroes always have a justification.

    We obviously don’t have a problem with unhappy endings. There are umpteen number of films that have become hits thanks to the hero’s tragic death in the end. So what makes films shy away from endings with a triumphant villain? Is it a self created rule to make sure that good always wins in good vs evil? Because people watch films as an escape from real life, and cannot digest real life on reel life? Why can’t we digest endings where a villain wins?

    So will you pay to watch a movie where the villain wins in the end, or will you stay away because you’d feel cheated with such an ending? How about books with this theme?

    until next time, know any exceptions?

    PS. Bollywood/Hollywood (like say, Arlington Road), I can’t handle subtitled stuff 😐