Tag: Ashwin Sanghi

  • The Krishna Key

    Ashwin Sanghi 

    ‘The Krishna Key’ has all the ingredients that a thriller needs – a direct connection with history and/or mythology, a James Bond -like leading lady and vamp, a serial killer, and a plot that more often than not, is racing to a climax; and yet, I had a feeling of unfinished business after I completed the book. I think Ashwin Sanghi painted himself into a corner as soon as he decided what the ‘key’ would be because it would be difficult to end it any other way.

    The entire plot is built around Krishna’s legacy and its path through the ages. So chapters begin with Krishna’s own story and at many times, one can sense a certain similarity in events, though the characters are completely different. There is a fair amount of vagabonding in space – Kailash, Dwarka and so on and time – Vedic to Mughal to the modern era. (more…)

  • Chanakya’s Chant

    Ashwin Sanghi

    Ashwin Sanghi’s second book in the history-fiction genre after The Rozabal Line. The book follows two narratives, one 2300 years in the past – following the lives of Chanakya and his protege Chandragupta Maurya, drawing heavily from actual history, and the other, a modern day version of the same tale featuring fictional characters – Chandini Gupta and her mentor Pandit Gangasagar Mishra.

    Despite the similarities in the overall plot, the difference in characters and situations ensured that I didn’t have a constant feeling of deja vu. The author also manages to bring in the machinations and possibilities in modern day politics – the nexus between politicians, businessmen, media, the creation of vote banks, alliances of convenience etc, and weaves in contemporary political events into the story, thus adding to the interest. Though slightly predictable, the storytelling is racy enough to constantly make you wonder what happens next. Unlike The Rozabal Line, this plot might be relatively familiar to Indian readers, but the flip side is that you won’t be easily confused despite the huge list of characters.

    There are a couple of things that put me off in this book. One was the lack of nuance in the use of language in the two narratives. The words and expressions used in the ‘past’ narrative are contemporary in nature, and it was difficult to imagine a Chanakya use (for example) ‘bloody’ quite regularly. The other was the use of clichéd quotes and wordplay. To his credit, the author provides an exhaustive list of credits, but if you’ve heard them before, it is difficult to imagine its usage by the character. Many a time, they also seem very forced, seemingly creating elaborate but unnecessary conversations just so the quotes can be used by the character.

    All things considered, it is a decent read, and like it or hate it, you’re not likely to be bored.

  • The Rozabal Line

    Ashwin Sanghi

    I have quite a bit of interest in Hindu mythology, so I had a bias going in. It would be fair to say that it also gave me the patience to sit through the back stories that constantly intersperse the narrative.

    The thing I admire most about this book is the painstaking research that the author seems to have done. (all references have been diligently acknowledged) I’ve read books that require research and mix fact and fiction (eg.Michener), but in this case, the research is across cultures and religions in one plane, and across time, in another. When you combine that with the requirement of having a story that should flow in concert, is when you realise the work that has gone in.

    The other thing I could identify with was the author’s love of anagrams and wordplay. He has put it to excellent use, when dealing with the names of gods and drawing connections between cultures.

    Though the primary plot of the book revolves around what happened to Jesus after crucifixion, his bloodline and the modern repercussions including religious terrorism, it is also about the parallel themes and recurring phenomena in modern religions. (The part of Jesus-like characters in earlier religions is fascinating)

    Its a superlative read, the only possible drawback being the heaviness of the content, not just in terms of historical trackbacks and comparative religion – conversations, but the twists and turns in the contemporary story itself.

  • The wonder eras

    The Lanka trip earlier this year, and specifically the Day 2 visit to Sita Kotuwa was quite an experience. Like I said in the post, its difficult to describe the feeling when one sees evidence that points to the actual existence of characters who were  considered a part of stories and mythology. Its one thing to theorise about what our gods really were, or read  historical perspectives, and another to come face to face with the reality of it. Of course, we could debate that Rama was human, and only considered an incarnation, but if the events in the Ramayana did happen, there is enough ‘godness’ in it for us to still wonder.

    I read ‘The Rozabal Line’ by Ashwin Sanghi recently, which is a fictional story based on the Jesus in Kashmir theory. The author has done considerable research on this, as evidenced by the notes, acknowledgments and references section of the book that spans more than a dozen pages. The domain the book operates in meant that these trails were fascinating, and I plan to follow them online soon.

    Meanwhile, in the book, the author draws parallels to the various messengers of gods who shared a lot of commonalities with Jesus, mostly in terms of events in their lives. They belonged to various cultures and eras before Jesus, thus ‘a great deal of material available to create a story around the historical Jesus Christ’. The existence of Jesus has probably never been in question, as opposed to say Rama/Krishna, but the above, and other things I read in the book, does make him much more human.

    Cut to the present. I read an actress’ comment recently – that she wasn’t on social networking sites because it took away the mystique surrounding her. Fair point, and I had to agree, considering how most actors and ‘celebrities’ in general use the sites to showcase feet of clay. I’m not comparing celebrities to gods, not yet, but in the eras before hyper communication tools, and further back, before ubiquitous magazines and television, there was probably more fiction than fact built around celebrities. The persona overshadowed the person. But now, they seem to be just regular people. Not that they aren’t that, but its more in-your-face.

    And thus I wonder, about the gods of yore. In those times, news got around much slower, and it was perhaps easier for legends to be born and for facts to be coated liberally with fiction. It was also perhaps easier to believe. So when I see images and statues of Jesus these days, I wonder what the real story and who the real person was.

    Ashwin Sanghi took 2 years of reading and 18 months of writing to complete this book. You see, the other thrill of ‘The Rozabal Line’ was having a conversation with its author, while I was reading it. Wonders never cease. 🙂

    until next time, acts of faith