Tag: Amul

  • Branded Spikes

    While waiting for the cognitive teardown of the immensely viral Kolaveri (like this Angry Birds one) in the form of either ‘What we can learn from’ or ‘How to craft videos like’ posts and also wondering how long it would take my Twitter timeline to move back from RIP to make-fun-of when a celebrity dies, I read this very interesting post titled “The New Patterns of Culture: Slow, Fast & Spiky” (via)

    It offers fantastic perspectives on creation and consumption patterns of culture, and digital’s weighty role in the changes being wrought. The limited ‘spotlight’ options of an earlier era (mainstream media) now have to co-exist with platforms and mechanisms that are open to most. ‘Scale is no longer a guarantee of stability.‘ Consequently, attention is the more coveted prize. Another related phenomenon is that ‘Change no longer happens all at once for everyone‘. I remembered ‘IsItOld‘ when I read this. 🙂 I sense quite a few concepts agglomerating here. Small ideas, which I haven’t written about for a while now, and transmedia storytelling, for starters, and a reversal of polarity. (the last via Neil Perkins post, linked to earlier)

    Brands have always been using popular culture. One brand that I can immediately think of is Amul, and yet, I almost missed their Kolaveri ad. (via) Yes, not the greatest, but decent. The point here is that while they got the creation right, the distribution is still iffy. And that’s another challenge. Popular culture is more complex than ever before. With the abundance of content and platforms, keeping a watch on the long tail of culture, prioritising according to the audience-fit and then distributing it is not going to be an easy task.

    I have always liked (and hence, borrowed with credit in presentations) the analogy of bonfires and fireworks to social media and advertising. (respectively) The implications of this are not just in standard brand advertising but also in branded content. Brands now have to think of how the long-term story and the spikes can work together and ideally, complement each other, even while figuring out what role advertising and branded content play in each. Despite the seeming fit of social media to spikes, I wonder whether we will, in the medium term, see a role reversal – ‘mass’ media providing spikes and the internet dealing with the long term story, before settling into shared roles.

    until next time, get a spike mike

  • First Life

    MMOGs have always fascinated me, but I have never managed to get hooked on to Second Life. And I’m yet to read Neal Stephenson’s Snowcrash, though its been on my shelf for sometime now. But yes, I insist that I am interested nevertheless and still play a browser game set in the middle ages. 🙂

    So, when Wipro became the first Indian brand (or is it VR1? ) to get into Second Life, to me, it was a kind of defining moment. But then, Wipro, to me is a very tech organisation and less connected to a normal consumer inspite of the bulbs and oils. So i wasnt surprised with a “Offshore Development Center (ODC) model campus with facilities like Client engagement center, Learning Center, 3 floor ODC setup with cubicles….Admin, Data center and Library.” presenceon the virtual world. But it was also mentioned that resumes could also be submitted at the virtual campus, wonder what stage that is in.

    And a few days back, Amul also decided to get a life.. a second life. The popularity of Amul’s hoardings is legendary, which is why it was surprising when Amul’s presence was stated to be “…a simulation of its production and distribution facility.” But thankfully, there also seem to be plans for having ice cream parlours which, other than the products, would also feature communication.

    But honestly, I’m still not convinced. Amul is a consumer brand- the taste of India. Also, its no secret that the ‘utterly butterly’ babe on the hoardings played an integral part in building the brand. Isn’t it logical to carry the two components into a virtual platform? Billboards on Second Life showcasing the unique Amul perspective on issues. Isnt it perfectly placed to be a sort of spokesperson for India on global issues? For example, when Bush makes his trademark absurdities (like how India’s prosperity led to a global food shortage) Amul can be the champion of India’s cause, with a trademark oneliner. While I understand that the Bush channel is soon to be closed, and there need not be an Indian perspective on everything, the perspective can be on anything – sports, movies, politics. All of this and more interest the Indian audience. By doing this, Amul becomes the ‘Voice of India’ (not the show, though that can also be done virtually..after all the world does go gaga over Eendian music 😀 ) and is able to showcase itself as a vibrant brand.

    Ah well, for the second life to be good, there should be clarity on the first life. Most brands are yet to reach there. I, for one, would love to have Amul play a much larger role on Second Life, not strictly related to its product range, but more as a brand, with an utterly butterly babe avtar to boot. Whatcha think?

    Meanwhile, this one’s a must read, especially for those of us who are hooked on to 2.0

    until next time, life’s like that?