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Animal’s People
Indra Sinha
“I used to be human once. So I’m told. I don’t remember it myself, but people who knew me when I was small say I walked on two feet just like a human being..” That’s how the book begins, and sets the tone and perspective for the book.
The title of the book could have been built around Khaufpur (based on Bhopal and its 1984 tragedy) as well, after all, the entire story hinges around the one night that changed life in the city forever. But Indra Sinha’s success lies in creating a character whose very existence is a testimony to the horrors of that night. The humanity, or rather the inhumanity of it all is taken to a different level, largely because of the protagonist – Animal. Animal, a 19 year old boy in Khaufpur, whose personal takeaway from That Night is being forced to go on all fours.
In most other aspects, Animal displays the emotional state of a typical teen with love, lust, jealousy all vying for his attention. It is his pragmatic, mostly raw and guttural perspective and wry humour that gives the book its character. It makes it real enough for the reader to connect with the other characters in the book – Pandit Somraj, the singer who loses his voice thanks to That Night, his daughter Nisha, who is the love of Animal’s life, but who loves Zafar, the activist whose mission in life is to get justice for the victims from the ‘Kampani’, but whose objectivity Animal questions, partly because he is a rival to Nisha’s attentions, Farouq, Zafar’s helper and Animal’s friend and enemy all at once, Ma Franci, a nun who has become senile in her old age and the person Animal loves most, and Elli Barber, the doctor who gives Animal hope, while others treat her with suspicion. Animal’s narrative gives life to these characters.
Except for a stretched ending, this book is a compelling read, one which makes you look at a faraway incident – in space and time, with a human and humanitarian eye.
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The wonder eras
The Lanka trip earlier this year, and specifically the Day 2 visit to Sita Kotuwa was quite an experience. Like I said in the post, its difficult to describe the feeling when one sees evidence that points to the actual existence of characters who were considered a part of stories and mythology. Its one thing to theorise about what our gods really were, or read historical perspectives, and another to come face to face with the reality of it. Of course, we could debate that Rama was human, and only considered an incarnation, but if the events in the Ramayana did happen, there is enough ‘godness’ in it for us to still wonder.
I read ‘The Rozabal Line’ by Ashwin Sanghi recently, which is a fictional story based on the Jesus in Kashmir theory. The author has done considerable research on this, as evidenced by the notes, acknowledgments and references section of the book that spans more than a dozen pages. The domain the book operates in meant that these trails were fascinating, and I plan to follow them online soon.
Meanwhile, in the book, the author draws parallels to the various messengers of gods who shared a lot of commonalities with Jesus, mostly in terms of events in their lives. They belonged to various cultures and eras before Jesus, thus ‘a great deal of material available to create a story around the historical Jesus Christ’. The existence of Jesus has probably never been in question, as opposed to say Rama/Krishna, but the above, and other things I read in the book, does make him much more human.
Cut to the present. I read an actress’ comment recently – that she wasn’t on social networking sites because it took away the mystique surrounding her. Fair point, and I had to agree, considering how most actors and ‘celebrities’ in general use the sites to showcase feet of clay. I’m not comparing celebrities to gods, not yet, but in the eras before hyper communication tools, and further back, before ubiquitous magazines and television, there was probably more fiction than fact built around celebrities. The persona overshadowed the person. But now, they seem to be just regular people. Not that they aren’t that, but its more in-your-face.
And thus I wonder, about the gods of yore. In those times, news got around much slower, and it was perhaps easier for legends to be born and for facts to be coated liberally with fiction. It was also perhaps easier to believe. So when I see images and statues of Jesus these days, I wonder what the real story and who the real person was.
Ashwin Sanghi took 2 years of reading and 18 months of writing to complete this book. You see, the other thrill of ‘The Rozabal Line’ was having a conversation with its author, while I was reading it. Wonders never cease. 🙂
until next time, acts of faith
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Revu
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