• Closest.in

    Does the world need another social network? The founders of Closest.in seem to think so, since they believe in providing a solution to a specific perceived need. In conversation with co-founder Shree Kant Bohra.

    [scribd id=62809140 key=key-pd20vxp9xy4w7c8ktf2 mode=list]

  • Weekly Top 5

    [scribd id=62652952 key=key-dpwwu82jyhnvuccuopb mode=list]

  • Neti, Neti Not This, Not This

    Anjum Hasan

    Before anything else, the summary on the back of the book does not really do justice to what the book is about. That’s just a perspective. Though indeed, it is about Sophie, a girl from Shillong who came to Bangalore to work with a book publishing company and ended up in a US-based company that outsources the subtitling of DVDs and her increasing sense of being out-of-place in the growing metropolis, I thought it did dwell a lot on what the idea of home is to a person, and how time and situations change the idea and affect this relationship.

    The other facet of the book is how the author uses Sophie’s Shillong origin to portray just how different the North East is from the rest of the country. So this becomes a layer that goes beyond the stereotyped small to big town transition angst.

    The paradox, however is that Sophie is someone many people can identify with – someone who contemplates what this entire game of living is all about. And it is through these eyes that the author zips through the age old debates of culture/modernisation, young/old, east/west etc, the cliches of the modern Indian metro – malls, new age spiritual gurus, midnight parties in high rise apartments, work relationships, pubs, the influx of quick money, changing lifestyles and so on – the drama in the daily grind. The disenchantment with her new and old ‘homes’ is something I could completely relate to.

    Anjum Hasan is a prose artist. While I’ve not been to Shillong, the way she has captured Bangalore makes me feel that when I land up in Shillong, I’ll get a sense of deja vu. When you add to this some superb wit, and a penchant for subtlety, you get a book that’s quite easily worth a read.

    I read in a few reviews that Sophie’s character is from Hasan’s earlier work “Lunatic In My head”. Couple that with the fact that she has opted for quite an unconventional ending, and I begin to hope that there is another book in the making, in which Sophie gets out of her disillusionment. That’ll be a journey worth waiting for.

  • Identity & Equity

    I read two quotes in a completely unrelated (to this blog) context – Ashwin Sanghi’s “Chanakya’s Chant”, a work of fiction – but was intrigued by the perspective when I saw the ‘brand-social’ domain through this ‘framework’.

    The quote to start with is the one by John Wooden “Be more concerned with your character than your reputation, because your character is what you really are, while your reputation is merely what others think you are.

    In the days of (only) traditional media, (if given the money) both character and reputation were relatively easier to establish and maintain because the number of publishers with significant reach were limited. Which leads to the second quote – from Winston Churchill “There is no such thing as public opinion. There is only published opinion

    And then came the blogs, social networks and the statusphere, which allowed everyone to become a publisher.

    The question I’d like to ask is whether this published opinion and the pressures of real time (not to mention limited characters) are making brands focus more on reputation than character. How would you define reputation and character in brand terms? Would it be brand equity and brand identity respectively? If the focus were to be more on creating a strong brand identity through the product itself, customer care, sales process and even marketing communication, among others, would reputation/brand equity be much easier to handle?

    until next time, identity scarred

  • Parenthesis

    Sometime back, I saw this relatively unknown Malayalam movie called ‘Calendar’, starring Zareena Wahab, playing mother to Navya Nair. Zareena’s character is widowed at 21 and she refuses to remarry since she wants to give all her attention to her child. The movie worked for me, despite it being built on the cliched “kid grows up, and gives more importance to her own life than her parent’s feelings”, thanks to a tight script and some neat casting.

    On the day I’m writing this, 3 works – one news item, one article, and one short story – appeared in my reading stream. The news was about a 107 year old woman left by her children, one of whom stays nearby, to fend for herself in a cowshed, the article centred around the topic of divorce and its impact on children, and the fiction work had to do more with marriage and infidelity, but with a neat twist in the end. Speaking of the end, I will link to them there, so you don’t escape this early. 😉

    I really didn’t need these prompts to write on the subject, since parenthood has been a source of constant debate recently, thanks to our parents aging and showing the first signs of serious aches and pains, even as we grow older and realise that the body also believes in keeping a low temperature of revenge for sins committed on it during the last three decades. 🙂

    Parenthood is one of those things that seriously lacks an undo feature, just like death, and is hence treated as a decision that merits serious thought. In general, the parents want the child to have a happy life and make choices on its behalf. Choices the child may not like/appreciate, but the parents believe to be the right one. They also make sacrifices for the child, in terms of time, money, and so on.

    But at least for debate’s sake, do you think these acts are always completely selfless? Isn’t brewing underneath it all a set of expectations? Sometimes parents see children as a way of fulfilling their own aspirations, sometimes they see them as support mechanisms in old age. Even if it’s none of these, or others you can think of, they at least get some pleasure out of seeing their child do well in life.

    But what blows me has always been that the parents get to make this considered choice of having a child and the child who is brought into the world and is the recipient of this and later choices, has zero say in the matter. It’s a serious product design flaw, and the only non-utopian remedy is for everyone concerned not to take each other for granted.

    As promised, the news, the article and the story.

    until next time, apparent traps