• Frazer Town Feeding Frenzy

    On hindsight, it seems unpardonable that we lived in Cox Town for over a couple of years and didn’t really explore the Mosque Road – MM Road area, especially during Ramadan. But that story is more than half a dozen years old and the entire experience is way more mainstream now. In fact, such was the hype this year, that I became more or less convinced that TOI would do a brand takeover next year! Before time ran out, we had to visit, even if it meant traveling from Koramangala on a week day.

    Due diligence was done across the web for must-eat items.  We reached there by around 8 and found two organised ‘food courts’ in addition to the various stalls on the roadside. First on the list was Patthar ka Ghost, which had its share of chewy pieces but otherwise turned out to be quite splendid. While they were getting us plates, we managed to eat kheema samosas, which turned out to be delicious! Both of these were from the eatery smack between the food courts. Another item on the list of must-try items was the Bheja Puff, which we tried inside the first ‘food court’. This was only average, specially because it wasn’t really hot. So we quickly focused attention on the ‘camel meat’, arguably the biggest star in the list. This turned out to be more like mutton in terms of texture, and we wondered…..

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    Given that most of the items on the list had been checked, we decided to switch to crazy consumption mode. The rolls in the first food court turned out to be just average, but that “chick on a stick” (first image below) was fantastic. (and reasonably heavy) It has a layer of egg and a tangy masala within, and I’d rate it among the best dishes I had there. All of this was washed down with Arabian grape juice. We then moved on to the second food court, (moving in the direction towards MM road) which was slightly larger, but with a similar set of options. More mutton and beef was consumed, the former in the form of kababs and the latter in muti coloured versions! 🙂 Before we proceeded to the final course, the haleem had to be sampled, and the centre stall in the second food court actually had quite a decent version.

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    Desserts are slightly non-intuitive in this context, and we had actually consumed a Khova Naan much earlier in the game. Unfortunately, not the famous Albert Bakery version, and was only just about ok. We went back to the stall between the food courts because we’d spotted quite a few options there. The Shahi Tukda was up first, and though reasonably good, was totally beaten by the fantastic Phirni, and the superb Banoffee Pie. Actually the ‘pie’ was replaced by a plastic cup, but it still tasted great!

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    We more or less crawled towards our respective cars, and this was not just because of the crowd! We were a group of 8, and at about Rs.350 per head had a feast that would have us burping well into the next day. This is obviously not fine dining and you have to earn (nudge – push – get irritated and shove) your way through equally fanatic carnivores to the food you want to consume, but it is oh-so worth it. You have 2 more days, go for it! 🙂

  • Six Suspects

    Vikas Swarup

    The second novel by Vikas Swarup, after Q&A, the book that now has a life of its own. Six Suspects worked essentially as a superb suspense thriller for me, but it is also a commentary on everything that happens in India – from militancy and racism to reality TV and call centres. Through six of the most stereotyped characters that you could ever find (okay, five), the author manages not only to create a gripping tale that shakes up the mix every time you think you have cracked the mystery in your head, but also manages to share a perspective on many of the things that makes news and even the probable behind-the-scenes machinations. All delivered not in a preachy tone that one would expect when such topics are involved, but the most amazing wit and sense of humour I have read in recent times.

    Right from the time the author shares a brief history of Vicky Rai, the ‘victim’, and in three paragraphs narrates the deeds that brought India’s sense of justice into the spotlight, I was hooked. He then proceeds to set up the suspects – the bureaucrat who is yet to get over his loss of power, the actress who tries hard to maintain her image and reputation and not mention Nietzsche in conversations, the tribal who seemed to be the only non-stereotype and displays a sense of deep rooted compassion and understanding that humanity seems to have lost, the mobile thief who lives out the Bollywood cliche, the politician who will go to any lengths for power, and the American, whose tale – right from his name, Larry Page – is such a bizarre laugh riot that it deserves a sequel!

    The story lines develop independently, but with clear connections that add to the intrigue. The politician’s spiritual advisor, the actress’ man Friday, the underworld’s ransom kidnaps, the honest cop, the Bhopal gas tragedy and its victims, Pakistani militants, naked sadhus in Prayag, and even the Indian American university grad, all cliches that add volumes to the narrative. But the real craft and genius is in how the stories and backstories are connected, and all the details are tallied. From the motive to the execution, every character, primary and secondary, and his/her action is accounted for, all while making us believe, for instance, that Gandhi’s spirit has entered a corrupt official!

    After all of this, the author takes us through the night itself and just as I thought that the climax itself was an anti, it turned out to be the setup for a riveting series of events that provides a deserving end to a fantastically written work of fiction. Must read.

  • The questions in Big Data

    In my last post that touched upon Big Data, I had mentioned how the seeming intent of Big Data is to synthesise actionable insights from processed and unprocessed information at touch points related or unrelated to the enterprise, and then use it to target consumers better. While this is probably true for the short-medium term, I read a wonderful perspective at GigaOm by Beau Cronin on its true potential – the path to building the equivalent of global-scale nervous systems. As I tweeted after I read it, it reminded me of something I’d written a couple of years back before I’d heard of #BigData – if we could actually use data to go beyond that to answer life’s profound questions. Before we go into the subject, here’s a nice video by OgilvyOne titled “Big Data for smarter customer experiences” (via) though it’s skewed more towards the experience rather than the data.

    Beau Cronin has mentioned several possibilities this would give rise to, and the post made me think if something like the hive mind concept would mesh into it as well – a sort of hybrid neural network. He has also pointed out the hurdles we would face while we get there – gathering, processing and conversion into actionable insights, and how phenomena such as priming,expectations, and framing matter so much in how we perceive our physical and social environments. In essence, a fascinating read.

    I was particularly intrigued by framing, and began thinking about it in the context of the unstructured data – tweets, posts, mails, videos – that is a major component of Big Data. The fundamental question being – is it unstructured because we’re framing it ‘wrong’? Based on the enterprise’ intent and not the users’? Ironically, I couldn’t frame the questions right until I met the ever-brilliant S, who has always maintained that the answer is easy to find once the question has been framed right. He has developed (Tulpa -to build or construct in Tibetan – is the concept he enlightened me on while we were discussing semantics) something that at a rough level mashes the MECE principle with Frame Semantics and the entity-relationship model. There’s IPR involved, so no more beans shall be spilled, but as always, I learned much from the conversation.

    In essence, structure can definitely be derived from what we currently call unstructured data, provided we frame the queries right. I can intuitively begin to understand that in the era of data abundance, the only way we can make sense of all of it is by focusing on an intent that is derived from a common purpose, so that the sources of data (users) will be more open to help solve the challenges of data collection. The processing and inferences that follow would yield the best results when the right questions are asked. I have a feeling that the questions asked by a business in an earlier era might not cut it.

    until next time, role models

  • Windmills Craftworks

    We’ve been hearing good things about Windmills Craftworks for a while now – that though we might be considered tourists given the distance between Koramangala and Whitefield, it was worth dropping in. We had tried once earlier, but they had an event and all the seats were taken. This time, though, we agreed to meet, and an OlaCabs booking was promptly made! That was a massive risk, given that they had left us high and dry only the previous night, but I persisted. When I didn’t get the cab details half an hour prior to the planned departure, I called up OlaCabs and they said I’d get the details in 5 minutes. True to word, I did get a call in 5 minutes, to tell me that there had been a mistake, and I would not be getting a cab! An auto, a Volvo and another auto later, we managed to reach on time! This accurate map really helped!

    The ground floor itself is business-like, and has nothing to offer in terms of directions. Your first task is to find the lift, then all will be clear. The floor which houses the establishment is a better representative of Total Environment Hospitality though. Once inside, there are bookshelves and comfortable seating options indoors and a smaller space outside from where you can see the IT parks that surround the building. Despite all that concrete, the latter is still a wonderful setting, and we chose to sit there.

    The menu is available on an interactive tablet that gives more scope for the appealing food visuals and you can order on it as well. The staff will also confirm the order with you. Though I was tempted to try the samplers, we went ahead with half pints (Rs.195) of Golden Ale, Hefeweizen, a pint (Rs.295) of Dunkelweizen and later a half pint (Rs.225) of the India Pale Ale as well. The Hefe, with its low bitterness, was the most popular, though I liked its darker cousin Dunkel too! The Golden Ale, which is probably the lightest around, was also quite good, and the Pale Ale, true to its name, paled in neglect at our table. Chicken in Pigs Blanket was our first starter, and though in itself it was quite good and not stingy on the bacon either, they could’ve given us a better dip. We then tried the Chicken and Smoked Bacon salad, which had some amazing flavours on the veg leaves that I otherwise ignore! But the pick of the starters was the Beef Picante, which will give any of my favourite Kerala preparations a run for its money. Superbly hot and sweet with very well cooked meat, highly recommended!

    This was about the time that we decided to skip the main course, since we couldn’t have done justice to it. So D decided to test out an Indian starter – Dill Chicken Kebab. It wasn’t bad, but by then the beef had set the bar really high! Given the dessert options, we jumped right in and asked for a Chocolate Pudding, Shahi Tukda, and an Orange Bread and Butter Pudding. The Chocolate was really dark and a little too bitter, though the strawberry helped a bit. The other pudding was fantastic, as was the Shahi Tukda.

    The service was prompt and helpful, and all of the above cost us, including charges and taxes, over Rs.3800. (3 people) Costly? Yes, but then the experience is quite worth it. Like a friend said, you probably can’t go there regularly, but for special occasions or to try the place out once, most definitely.

    Windmills Craftworks, #331, Road No:5B, EPIP Zone, Whitefield. Ph: 26592012

  • Awesomeness is homemade

    Three weekends and three Malayalam movies – different genres, different directorial approaches and a largely non-overlapping cast. But all of them underlying that this is indeed becoming a glorious age for Malayalam cinema! New stories, novel thoughts, fresh perspectives – this is a wonderful time to be a viewer. I decided to write this post, because as I’d mentioned earlier while on the subject, movies are a representation of an era, and years later, I’d like to read this and remember what a great time we had!

    On the first weekend, we saw ABCD, (trailer) starring Dulquer Salmaan, who with each outing impresses further, seems destined to be an actor and a star, and might not have to wait for years like his father (Mammootty) to attain either. Our decision to see it in the theatre was also heavily influenced by the presence of Jacob Gregory, whom we were fans of thanks to Akkara Kazchakal. The movie was not meant for intellectual stimulation and delivered its promise of entertainment quite easily. What it also did was look at contemporary issues in a non-preachy way. Despite a few niggles – the editing could have been better, Gregory’s accent could’ve been worked on and he could have been better utilised in the first half – Martin Prakkat has ensured that his success continues after his debut film Best Actor. Extra points for not trying to force fit a love story that could have spoiled the superb essaying of a script-backed character by Aparna Gopinath, the very anti-thesis of a traditional Malayalam movie heroine.

    The second weekend saw us in PVR for 5 Sundarikal – an anthology with stories of 5 different women in various life stages. 5 directors, with one of them making a debut. My favourite was Aashiq Abu’s Gowri, (despite not being a fan of Kavya Madhavan) thanks to the really sensitive story of a couple whose life goes through a drastic change after a seemingly casual remark by a visiting friend. Kullante Bharya was an equally strong contender, and quite unchacteristic of Amal Neerad, I might add. I place it second only because the story is an adaptation. Dulquer takes on the narrator role with ease and does a splendid job of making sure the nuances are caught just right. Shyju Khalid’s Sethulakshmi, based on a story by M Mukundan, is poignant and very disturbing! Fantastic treatment of the story in terms of catching expressions, and portraying scenarios. Anwar Rasheed’s Aami does not fail only because of the superb portrayal of the protagonist by Fahadh Fasil, who captures the flitting gray shade nuances of his character with ease, and the riddle based flow of the story. Sameer Thahir’s Eesha, starring Isha Sharvani and Nivin Pauly reminded me of a short story (not sure if it’s Archer) and was probably the only one which only worked marginally for me. But in all, it was an excellent compilation.

    The best was saved for the last – Murali Gopy teaming up with Arun Kumar Aravind after Ee Adutha Kaalathu – Left Right Left. The title of this post is inspired by its tagline – revolution is homemade. Fantastic casting, with Hareesh Peradi, (what was he doing in Red Chillies?!)  Murali Gopy and Indrajith making each character easily believable. So strong is the script that you feel the angst and pain that each of them have within – and that even goes for the ruthless character played by Hareesh Peradi. The political overtones are more than obvious, but yet manage not to take over the film. There is an immense amount of realism in the movie, and that is not because one could easily associate it with real life personalities, but because even the secondary characters have a clear DNA – why they are the way they are, what drives them, what is their rationale for doing the things they do. It is really difficult to choose between the three protagonists and that’s because of the strong script as well as the brilliant portrayals. Like I mentioned in a tweet, it was awesome to see the sons of gifted actors – Murali Gopi, Indrajith Sukumaran, Sudhir Karamana, and Vijayaraghavan in a single movie! If that isn’t new generation Malayalam movies, what is? 🙂 A powerful, hard hitting movie, and kudos to the director for delivering the script just right! For now, watch the back story of the characters in the movie’s potent anthem

    until next time, malayalam cinema #ftw