Category: Flawsophy

  • Putting on an act

    For a while now, Renjith has been the gold standard (for me) in Malayalam cinema. Yes, he still disappoints occasionally, but his good works more than make up for it. So I had no hesitation in booking tickets at PVR for Pranchiyettan and the Saint. In addition to writing, directing and producing the film, Renjith also lends his voice to Saint Francis’ character, who starts speaking fluent Malayalam at the end of a hilarious sequence in which Mammootty questions whether the Christians of Kerala were being idiots by praying in Malayalam to a saint who couldn’t understand it.

    If someone had shared this script with me a few years back and told me to pick a lead actor, I’d say Mohanlal. But not anymore. The two superstars of Malayalam cinema have always been contrastive, on and off screen. Mohanlal earned his chops with portrayals of characters that we could either easily identify with or be in awe of. We laughed with him, cried with him, egged him on. In the mid nineties, he moved on to roles that had more serious shades. Less than a decade later, the actor in him died, leaving fans like me fighting discussion crusades that lacked heart. His last good performance was Thanmathra. When people talk about his supposedly superlative performances in films like Bhramaram, I wonder if they have lowered the bar, as a favour to their favourite actor.  I can understand that, most of his other releases make me cringe. I also wished movies like Pakshe and Pavithram hadn’t been made earlier, so that he could’ve done them now. His interviews make me wonder how this serious person with a philosophical perspective on even mundane things could ever have done those amazingly funny characters early in his career. Its a glimpse of the abundance of acting talent he possessed. Now he is just a superstar.

    Mammootty, on the other hand, I had never considered a brilliant actor, despite films like Thaniyavarthanam. It was his screen presence and the strength of characters that carried him. Cop, lawyer, CBI sleuth, he brought a special something to the role, which made him a star. But the thought of him doing comedy was funny, despite coming across in interviews as a very witty, fun loving person. Over the years, he has slowly scaled his repertoire. Now he dazzles us with films like Kaiyoppu, Loudspeaker and Paleri Manikyam, each a different genre and style, and even in utterly nonsensical films like Pokkiri Raja (a Tamil film made in Malayalam, go figure) he displays a comic timing that makes you forgive the movie. In an equally masala commercial movie called Daddy Cool, in one scene he references a character he played 13 years back! Instant Classic. At 56, the method actor has arrived.

    Mammootty is now extremely comfortable as an actor and is not afraid of even having fun at his own expense. The things the mimicry guys used to feed on – his dancing skills (lack, that is), hand gestures are all part of his own comic repertoire now. On the other hand, Mohanlal is a shadow of his former self. One can actually see the labouring that goes into his acting now, where, once upon a time, his portrayal of characters seemed so natural that we regularly forgot it was an act.

    I thought about both of them in the context of talent and passion – last week’s post. Having seen the above two, I have to wonder again whether passion commands more perseverance than talent.

    until next time, cut.

  • Food notes

    For the last few weeks, I’ve been hooked on to MasterChef Australia. (the show’s site reveals the winner, this is the wiki entry) For those unfamiliar with it, its a cooking competition-show that airs on Star World.

    I’ve always liked the idea of food – more the consumption than the creation, of course, as you probably know. While I’ve begun to appreciate nuances these days, instead of focusing on solely gobbling up the food, cooking is still far away. My most famous exploit (and that’s only reheating) thus far has been the aluminum-foil-packed-food-inside-the-pressure-cooker-incident. I have a restraining order from D – I am not allowed to handle steel vessels and the microwave, when they exist in close proximity. D, as you probably know, has to show a lot of restraint anyway.

    But we digress. The show has interested me even beyond the awesome cooking that happens on it daily. I’ve never really been a fan of the music and dance reality shows, and after I began watching this show, I wondered about it.

    I enjoy music, but have always flipped, channels that is, when i watched those shows. Maybe its the one-upmanship games of the judges, or the showboating, or the SMS driven degradation of a god given gift, but they have never worked for me, though i have noticed some supremely talented performers.

    There is a passion in the cooking contestants, all of them – maybe they’ve managed to capture it well – a will to win, and they work hard for it. We can see the efforts, and the judges’ appreciation and backing – a sense of fairness. Perhaps I haven’t watched enough of the song and dance shows to notice any of this.

    Though both require honing, music (vocal) is perhaps a talent and cooking, a skill, to which creativity adds layers. So the latter, I thought, would require more of an interest, and more hard work. Does that mean the passion for it would be more than that for a talent, which might be ignored, because it has been given without asking. I guess either would be okay, if you had the passion and perseverance  to get it to its logical conclusion. Interest without talent, and talent without interest, both are sad states to be in.

    until next time, fortune cookie 🙂

  • Crowded Out

    At restaurants, in movie halls, in malls, I sometimes come across people who’re there all by themselves. Not the corporate warrior catching a quick lunch, or the guy catching a movie in a multiplex to kill time, or the husband who got lost while his wife concentrated on the shopping, but the people who look like they wished they had someone to share the moments with.

    I see them furtively glance at the other tables and people, as though trying to steal a vicarious experience. I sometimes wonder how they came to be that way – are they introverts who never managed to get out of their own company, or people who found their partners or soulmates, and lost them midway to life, or did they make a choice of being alone, only to regret it much later in life.

    And then there’s the flip side too. Happened to see Robin Williams’ “World’s Greatest Dad” recently, and was reminded of that. While I agree that ‘lonely’ and ‘alone’ are not the same, I quite liked this line from the movie

    “I used to think the worst thing in life was to end up all alone. It’s not. The worst thing in life is ending up with people who make you feel all alone.”

    In a hyper connected world, with its own sets of cliques and norms and validations and more often than not, a lack of compassion, that is a thought I can relate to. Thankfully, the movie’s soundtrack offers a solution 🙂

    I’ll say who cares
    When people stare
    I will make myself invisible
    Yes I will

    Invisible – Bruce Hornsby

    until next time, virtual immaterialism 🙂

  • False Memories

    I read this interesting post titled ‘Time traveler‘, thanks to a Reader share. (Mo?) Its about memories not being the same for two people, even if they’re part of the same events in life. So, who’s to say which memory/recollection is real and which is not? “The past is just a reconstruction of our minds, then.”

    I came across a similar thought in ‘Lunatic in My Head’, where a twenty-something guy plays slides from two decades back. Though he’s present in the slides, he has no memories of them, and he felt that it was unfair that his parents should possess those memories, but he doesn’t, even though he was present in the slides. He is forced to rely on his parents’ recollections, but sometimes rebels by creating stories and arguing with them.

    Maybe these reconstructions of the mind are based on an identity we have created for ourselves at that particular point in time – in the present. So all events, people, concepts, understandings are seen through that prism? And as time moves on, the prisms change too, like some sort of kaleidoscope, where every memory gets rearranged in context, based on our changing perceptions, notions and views.

    And not all the photos and posts and tweets and videos can ever be free of a prism, some prism. Maybe we change our own memories too.

    until next time, prism break.

  • The crowd in my head

    Two wonderful posts I read a while back – one which I could completely identify with, and the other, such a complete antithesis of what I do that it was almost like a mirror I was forced to look into- but something I could utterly understand.

    Amit Varma’s ‘Society, You Crazy Breed‘, which is about many inter-related things -the need to escape the clutter, even of our own thoughts, the want of validation and acceptance, the human interaction that will take us away from “the terror of [our] own singular thoughts.” (from) It also talks about debate on the internet, but while that makes a large part of the ‘clutter’, especially the micro-debates, the ‘must comment’ social obligation is something I’ve written about earlier, so I was more interested in the first part.

    I used to absolutely love solitude earlier, and it was easier to access too. But now what’s easily more accessible is a crowd. It slowly becomes a sort of addiction, despite me wanting to stay away. Its no longer easy to be objective enough to separate a want from a need, and its quite easy to fool the self. When one has never been the particularly confident type and has barely gotten out of a constant validation requirement, its particularly difficult. An RT on Twitter is easy validation, and as I’ve said before, the vicarious ‘living’ is easy and fun. Its good to be connected, and be a carefully moulded version of ourselves that is acceptable to those we would like to be connected to. The trick, of course, is to be a version  true to our own selves, something we are comfortable with, in solitude, or in a crowd. But that’s not easy.

    That brings me to the second post, “One for the time capsule” wonderfully written by The Restless Quill, about living life on one’s own terms, fighting the battles inside, the arguments outside, and ‘inhabiting a life’, which can create a ‘light-band of memories’. Chances are, choices such as those, would be made with minimum validation. Its also, I think, a lot to do with confidence and an understanding that perhaps comes from listening to oneself, in solitude.

    Its easy to guess which post I could identify with, and which one is the anti-thesis. There are times when my destiny stared at me in the face, and I looked away furtively, as though looking would mean acknowledging, and then accepting. I can dimly sense these. The ability to make those ‘difficult’ choices and keep walking, joyous in the consciousness of what one has learned and the comfortable understanding of what one has lost out on, it must be liberating. I have a feeling, and unfortunately, a feeling only, that it must really be wonderful.

    until next time, a crowdsourced time capsule