Category: Flawsophy

  • Live Empty

    old tree and new tree stories

    (via)

    Such is the pace of life now that I can easily identify with the opening paragraph here. As I read on, I completely loved the part about the graveyard being the most valuable land in the world, “because with all of those people are buried unfulfilled dreams, unwritten novels, masterpieces not created, businesses not started, relationships not reconciled.” The rest of the article is about dying empty – to complete every task, thought, action, to leave nothing unspoken, uncreated, unwritten. 

    Later, I read on Brain Picking, “Henry Miller on Creative Death“, in which Henry Miller, defining art, says, “Strange as it may seem today to say, the aim of life is to live, and to live means to be aware joyously, drunkenly, serenely, divinely aware. In this state of god-like awareness one sings; in this realm the world exists as poem. No why or wherefore, no direction, no goal, no striving, no evolving…. This is the sublime, the a-moral state of the artist, he who lives only in the moment, the visionary moment of utter, far-seeing lucidity…. in the sense that any moment, every moment, may be the all; for the artist there is nothing but the present, the eternal here and now, the expanding infinite moment which is flame and song.” And later in the article “On the contrary, his zest for life is so powerful, so voracious that it forces him to kill himself over and over. He dies many times in order to live innumerable lives.“

    I read a pattern in these. Of dying every day and being reborn the next day. A new life. I faintly understand and relate to this, but within me is another side that plans, that likes stability, and saves for a rainy day. I am unsure of how these two can co-exist. And I can’t help but be drawn to the lines at the beginning of the Miller post ““One aspect of our nature cannot be exalted above another, except and the expense of one or the other.” 

    If so, I already know the winner, and as the first post points out, that would create an angst, or a perpetual state of discontent. It would seem as though the opposite of ‘die empty’ can only be ‘live empty’. There can be no middle path, and that’s scary and sad.

    until next time, empty vessels and a lot of noise

  • All ideas are equal, some more equal than others…

    (via Threadless)

    A conversation in office on an unrelated topic led me to ask this question on Twitter.

    ..and @atulkarmakar gave me his perspectives

     

     

    Just like Atul mentioned, I had first considered whether it was because creative ideas were considered more personal  and a business idea/model an impersonal, corporate entity. But my starting point had been advertising, to which this does not really apply. Compare the reactions of Company A replicating Company B’s business model/idea versus them being ‘inspired’ by their advertising. In the case of advertising, both agencies might get paid and both clients might benefit. But in the case of a business, the second player could benefit from the mistakes (strategy/execution) of the pioneer and build a more successful business. That would be really unfair to the first guy whose business idea might have been a really creative solution to some need. And yet, it’s more likely that the aping of ads would spark a larger debate and the business cloning would be ignored. Am I missing something? Any perspectives you want to share?

    until next time, game of clones

  • Food for the soul

    Thanks to Zomato, I got to spend some bak bak time with Mayur back in February. Along with Rocky, this guy gets to do the two things I’d rather do always – eat and travel. While it was a fun meet up, it was impossible to agree on the subject of meat. Most of the others around were fanatical carnivores – like myself (and I was wearing a tee with the message above) – so we traded insults with him for the first few minutes before the man silenced us with “food is like religion, and you should not piss on other people’s temples”.

    After that the conversation quickly moved to life philosophy. I (along with at least one other person) was curious to know how he kept himself interested in the food + travel routine. Wouldn’t it get monotonous? We talked of retaining child-like levels of curiosity and wonder, an openness to experiences, of starting the day asking what newness can be done today and realised that as we grow older, we look for reasons not to do things, as opposed to the reverse.

    After taking my trip with a food quote, (and underlining his instant wit) he went off to talk to other folks, and the rest of discussed how this also translates to how we interact with other people. Earlier, we used to trust others until they gave us a reason not to, and these days, it’s exactly the reverse. I wondered if this is probably related to the ‘openness to experiences’ we had talked of earlier.  (more…)

  • Friendship grants

    In Rediff’s review of Kai Po Che, there’s a line that goes “Quoting from Bollywood, impromptu excursions and taking each other for granted without guilt is the prerogative of buddy-dom,…” That’s probably arguable, but if it is right, I now understand why my buddy count has been low since inception.

    The first – excursions – I think, can be handled. That’s despite my obsession with planning. 🙂 The second is a completely different story though. I hate taking people for granted and if I end up doing it and realising it later, I get guilt pangs even after apologising. It probably comes from the premise that I hate being taken for granted and thus the “Do unto others as you would have them do to you” gets applied. (more…)

  • Movie magic

    There’s a new wave of movies in Malayalam which have now gotten a genre all to themselves – they are being called ‘new generation’. This has as much to do with the new breed of filmmakers/actors/technicians who’ve begun to make their mark as it is to do with the themes that are portrayed in these films and the mindset that a viewer has to probably adopt – this mindset being radically different from the one reserved for the standard potboiler fare that viewers were used to. I stress the last two because it isn’t as though these kind of movies had never been made before. It was just that they were very few in number. Simply put, the maker and viewer generations are now showing a radical shift from even say, 2-3 years back – in terms of approach, outlook, perspectives, perceptions and expectations.

    Movies being a medium of expression, I have always been intrigued by the subtexts, though I have not had the liberty of time to actually spend thoughts on the subject.  This article, for instance, does a good analysis on Mani Ratnam’s movies and the influence of various narratives. These days, when I watch (malayalam) movies from the 80s and 90s,  I try to identify the themes that have been used in/inspired them. Earlier than that would be difficult since I have no primary experience of the era.

    I saw Thoovanathumbikal again recently, a fantastic movie which deserves a ‘new generation’ tag even if it were made now, especially because of its sensibilities. It is very much what I call a mood movie – requires the viewer to succumb to the mood to truly enjoy it, especially the current day viewer who expects something to happen every second, and nuances are not counted. (probably why Annayum Rasoolum was not appreciated much – it’s less to do with the theme and its twists and more about the way it’s been dealt with – the sophistication and the aesthetic) Timeless as Thoovanathumbikal might be, I wonder how much one would appreciate it more if one had experienced first hand the societal values, mindset  and the ethos of the time. The rain, for example, which plays such an important part, do we view it in that light anymore? At the same time, the maturity of the person is also a factor. I was nine when it released and would have slept through it! 🙂

    And that’s probably why cinema is indeed magical – not only is it a representation of an era, or a part of it, but at any point in time, there’d be someone who’d be able to relate to it, across the passage of years.

    until next time, moving pictures