Category: Books

  • Only Time Will Tell (Clifton Chronicles 1)

    Jeffrey Archer

    The first of the Clifton Chronicles and launched in Bangalore earlier this year. 🙂 As per wiki, Lord Archer plans to span the series from 1920 to 2020. This first installment covers the years from 1919 ( a year before Harry’s birth) to 1940. The protagonist is Harry Clifton, ostensibly, the son of a war hero, but later years would reveal his true father.

    Harry is gifted with a fine voice, and despite financial troubles, manages to learn his way to Oxford. The other principal characters are Maisie Clifton, his mother, Giles Barrington, his best friend, Giles’ father Hugo and his sister Emma Barrington, and Old Jack Tar, a war veteran fighting his own demons, but who discovers Harry’s potential and moulds his life.

    The author manages to pace the book very well, and has thankfully stayed away from the drastic twists that he was once good with. Instead he has chosen subtle turns which the reader is able to easily guess beforehand, but finds presented very well.

    Archer’s storytelling skills are obviously intact, though one portion reminded me of the climax of ‘As the Crow Flies’, and the art appreciation seems to be taken from his own knowledge of the field. The way he switches the narrative by introducing it from the perspectives of the principal characters works out splendidly.

    I am becoming a fan of the subtle Archer style of humour too, and therefore I don’t miss the earlier twisty plot style much.

  • Vengeance Of Ravana

    Ashok K Banker

    The seventh book of the Ramayana series that was never expected. Ashok Banker has his own reasons for writing it, as he mentions in the Foreword. He also uses the section to outline his plans to document the past, present and extrapolated future of India as well as alternate history. I was quite happy when i read this because it seemed a noble endeavor. And then the book started.

    I have been a fan of the other books (except for Book 3, which i thought was an unnecessary stretch) in the series and have, in reviews, admired how the author brings characters and the age to life and uses prose in a way that makes you (even) identify with them.

    But this book completely failed for me. The plot, if any, doesn’t go anywhere. I could’ve flipped 10 pages and still not missed a thing – except for prose. It’s as though the mandate was to describe every occurrence / character/ vista in as many words as possible. Fitting in contemporary phrases like collateral damage and terms like vortal seem terribly forced. It’s a vengeance story, but sometimes you wonder who it is directed at!!

    If you’ve been reading the Ramayana series, I guess you’ll have to sit through this one too, just to see where it goes, but go in fully prepared for a prose avalanche. The author does seem to be on his own trip – good for him, not so good for readers. Sad.

  • The Pregnant King

    Devdutt Pattanaik

    ‘The Pregnant King’ is Devdutt Pattanaik’s first work of fiction, in which he takes the story of Yuvanashva and distorts the timeframes to juxtapose it with characters in the Mahabharata, whereas in reality, the tale of Yuvanashva is recounted twice in the epic, as one predating it by many generations.

    Yuvanashva’s tale is special in at least two ways – it involves his mother Shilavati who possesses all the qualities to be a king, but cannot, only because she is a woman and Yuvanashva himself, king of Vallabhi, who accidentally drinks a potion meant for his queens (for them to become pregnant) and gives birth to a son. Is he the child’s father or mother, that is the answer Yuvanshva seeks. By bringing in various characters like Shikhandi, born a girl, but who uses a Yaksha’s masculinity to become a man, Somvat, who becomes Somvati during the course of a night by exchanging his gender with the yaksha, Arjuna, who lives for a year as a woman courtesy Urvashi’s curse, Ileshwara/i whose gender changes with the moon’s cycles and Adi-natha himself, seen as a hermit and a nymph, the author manages to not just show the nature of gender roles but also gives profound perspectives on dharma – its rigidity and fluidity, the dynamic nature of matter and the static nature of the soul, its various symbolism, and ‘the imperfection of the human condition’.

    This is an amazing read, and that’s not just because I am really interested in mythology. Ancient in origin, and contemporary in narration, the questions it raises belong to a different era and yet manifest themselves now in another form.

  • Brothers at War

    Alex Rutherford

    ‘Brothers at War’ is the second of the ‘Empire of the Moghul’ series and begins in 1530, right where the first one ended. Babur is dead, and despite naming Humayun successor to the wealth and the new empire he has founded, and asking him not to do anything against his half brothers, there is dissension among them. Humayun thwarts an early attempt by his brothers to grab the throne, but spares their lives and sends them away to rule far away regions.

    Despite early successes, Humayun fails to hold the empire together, and his preoccupation with stars coupled with an opium addiction ensures that he loses the hard earned empire to Sher Shah. After losing several strongholds including Delhi and Lahore, Humayun becomes an emperor without a kingdom. In addition to scheming feudal lords and other relatives, he also has to deal with the treachery of his brothers yet again. In the meantime, he marries Hamida, thus alienating Hindal, (who also loved her) the only (half) brother who had allied with him.

    Humayun wanders further away from Hindustan, fueled by a belief in his destiny – to rule the empire again. He finally gets help from the Shah of Persia, to whom he gifts the Koh-i-noor, but who also extracts a bigger price. From then begins Humayun’s journey back.

    The books seems to be showing a pattern – starting with a prince who has just ascended the throne and ending with the heir in the same position. Humayun’s failures are a tad repetitive, and are not helped by the fact that many of his journeys share similarities with Babur’s experiences, but the pace is more or less maintained and there are reasonable twists to keep the reader engrossed. Except for a few characters and events, history has been not tampered with much. Humayun comes across as a courageous, intelligent and driven man who, though lost the empire to begin with, ensured that he rectified his mistakes. If you’re interested in history, this does infuse life to the characters familiar from textbooks. 🙂

  • Nine Lives: In Search of the Sacred in Modern India

    William Dalrymple

    In his introduction to the book, William Dalrymple explains how he has tried to invert the travel writing style of the eighties, highlighting the subject and relegating the narrator and his journey to the shadows. And that’s how this book manages to be a set of nine mini-biographies that are linked by the book’s tagline – ‘In Search of the Sacred in Modern India’. Each ‘story’ not only manages to show the protagonist, his/her belief systems, trade/artform in the context of a region that’s rapidly changing the way it looks at religion, spirituality and the world in general, but also manages to trace its (artform/trade) evolution across the centuries of its existence, and the inividual’s outlook towards his own journey. In that sense, it is also my favourite kind of travel writing – across time.

    From Kerala to Dharmasala and Tarapith to Sehwan, the characters flow, and though all of them are interesting in their own way, my favourites were the ‘The Singer of Epics’ – the story of a bhopa in Rajasthan, and “The Monk’s Tale”, the story of a Buddhist monk who takes up arms against the Chinese, is then forced to fight for the Bangladeshis against Pakistan and finally spends his last years in Dharmasala atoning for his acts by hand printing prayer flags.

    The narrative and the prose make the book very accessible, and the only concern I had was whether the author had let romanticism affect the truth of the stories a tiny bit. A great read.