Category: Books

  • A Gentleman in Moscow

    Amor Towles

    I was hesitant to write anything about this book for fear that it would take away from its wonderful aftertaste. But not doing so would be an injustice too, so here goes.

    The adjective I would use to describe A Gentleman in Moscow is sublime. That applies to the story, the writing, and the protagonist – Count Alexander Ilyich Rostov. On 21st June 1922, a Bolshevik tribunal sentences him to house arrest indefinitely. The “house” is the Hotel Metropol, and he is forced to substitute his suite for an attic room. As the author insightfully notes, “the Russians were the first people to master the notion of sending a man into exile at home.”
    Russia, post-revolution, exile – it is difficult to imagine anything that’s not depressing in the 450+ pages that follow. But in the face of imminent disaster, Towles, just like his protagonist, steps up to the plate, shuns maxims, and hits the ball out of Gorky Park. (ok sorry, but bad wordplay is a sure sign of my affection) Hope has a new champion. For Count Rostov is probably a living embodiment of Marcus Aurelius’ Meditations, and from the time that he is forced to choose from his possessions what he can take along to his new residence, he embraces his future by well, counting his blessings. His poise does not miss a step as he moves from “it is not the business of a gentleman to have occupations.” to becoming a waiter, and he continues to exhibit his “essential faith that by the smallest of one’s actions one can restore some sense of order to the world.”

    But one cannot be blamed for thinking that even for such a wonderful character, the four walls of a hotel is bound to be a constraint. The Metropol, though, is a world unto itself. We discover spaces and mind spaces inside, the people who work there, and its visitors. And through the eyes of the Count and his friends, we see Russian history unfold from Lenin to Stalin to Khrushchev.

    Amor Towles’ mastery over situations and the words he uses to express them is not something I have seen much of around. It’s genuine craftsmanship. In the Count, he has created a character that brings out the essence of old world charm, and class. Instead of aristocratic snobbery, what one gets is a very human mix of upbeat bearing and wistful serenity – a character for whom one genuinely feels for. The Count has his basic lessons right – “The first was that if one did not master one’s circumstances, one was bound to be mastered by them; and the second was Montaigne’s maxim that the surest sign of wisdom is constant cheerfulness.” And it isn’t just the Count – the support characters also do a splendid job of covering a vast spectrum of predicaments, thoughts and behaviour.

    And thus it is, that when one reaches the end of the book, and lets out a sigh, one has the “feeling that this moment, this hour, this universe could not be improved upon”.

  • The Algebra of Happiness: Finding the equation for a life well lived

    Scott Galloway

    I’m familiar with Scott Galloway thanks to his various talks on YouTube. Funnily enough, I haven’t read his other book – The Four – which is related to the YouTube videos. But given the logical nature of his talks, and the reasoning behind the conclusions and predictions he makes, I was curious to find out how he approached happiness as a concept. Apparently, this is also the subject of the last session of his Brand Strategy Course at the Stern School of Business, NYU.

    If you’re not familiar with his work, it might be a good idea to watch one of his videos. For nothing else but to prepare you for his tone. It’s blunt towards abrasive, but laced with humour, and since it’s usually about brands worth billions, a roast is probably fine. I mention this because the book, despite being about happiness, follows the same style and tonality. I enjoyed it, but if you’re expecting a serious book that delves deep into the theoretical construct of happiness, this might not be the one.

    The author begins by admitting that his life is not exactly the perfect framework of happiness. Perhaps that’s what places him in a perfect spot to deconstruct happiness. Multiple entrepreneurship experiences, failed marriage, complicated relationships with parents and friends, all tend to give you perspectives of what happiness actually means.

    The book is divided into four section – basics, a deeper look at success, career, ambition, money and the professional life in general, love and relationships, and finally introspection. The age arc of happiness, the importance of having a right partner, alignment on money, not keeping score, being accountable to those who you care for and being present in their last days, understanding your own values, not being an a****ole – the lessons are delivered pretty much staccato outside of the broad sections. Profoundness and profanity coexist, and adds a lot of texture to the narrative.

    At the risk of repeating myself, this is quite unlike the standard “happiness” book you will read, but it delivers a bunch of insights that I found valuable. There is bluntness, but there is also humour and empathy, and together it ensures the book gives you some happiness.

  • The Courtesan, the Mahatma and the Italian Brahmin: Tales from Indian History

    Manu S. Pillai

    I had really liked the author’s earlier work – The Ivory Throne – and particularly the last 100 or so pages where he brought out the humans from behind the aura of regality. I began seeing them in a different perspective and my engagement with the book was much richer. I think the author has repeated this in The Courtesan the Mahatma and the Italian Brahmin as well.

    The book is divided into three parts. The first part is set before the Raj, and the second, during. We’ll come to the third in a bit. All the essays are around 6 pages and I initially found this a little annoying. But it became easier once I got used to the format. The good thing is that many of them generate enough interest to make you go through the sources and that’s a lot of future reading!

    The first section definitely has the shadow of the Mughal empire looming, but barring a couple of essays, the focus is not on them. Through a collection of very interesting characters, the author illustrates the multicultural diversity of India. This section also shows how history itself changes from the time the event happens to now, and how they it lends itself to various narratives that suit a particular social context.

    The second section is relatively more contemporary, and in addition to well-known figures like Annie Besant, Veer Savarkar, V.K Krishna Menon, Vivekananda etc, it brings out those who occupy the by-lanes of history and some whom history too has left behind. I liked this more than the first section, probably because of the poignancy of stories like The Champion of Tuticorin and The Seamstress & The Mathematician. This section also offers a couple of interesting what-ifs – what would India have looked liked without the Raj, and what if the Mahatma had lived to 125 (the life span he preferred)?

    The final section is an afterword – an essay for our times, and makes excellent points on why our multiplicity is our strength, and the complicated fabric that holds us together is not something that hyper-nationalism should try to tear.

    The writing is lucid and the past does come alive. The tales are interesting in many ways – one features a Mappila Ramayana with Ravana as a sultan and Surpanakha seeking sanction from the Sharia, another one has Wajid Ali Shah trying to divorce twenty seven wives in one shot, there are a few with the East India Company’s honchos in India, and from the Italian brahmin to kamasutra to football, it covers vast tracts of history. Highly recommended if you have an interest in history, and especially off the beaten path journeys into the past.
    P.S. A few hundred more pages would have been welcome though!

  • Uncharted: Big Data as a Lens on Human Culture

    Erez Aiden, Jean-Baptiste Michel

    The book was published in 2013, relatively the early days of what has come to be a fairly common buzzword. Therefore, it is probably unfair to expect this book to have the understanding or perspectives that the field has accumulated in the last few years.

    Having said that, I still think my expectation from the book was higher. It stemmed mostly from the title, and I thought there was tremendous scope there. We now consume, produce and share tons of data on a daily basis. What could it say about us at a societal level? Wouldn’t that be a great way to study how our culture has evolved as a species and perhaps differently in various parts of the world? How do ideas spread, how many of them are universal, and do some have more velocity than others? But hold on. While this book does try to give some answers, it is solely based on the authors’ experiments with datasets using Google Books Ngram Viewer.

    This is a formidable tool – 30 million books digitized by Google. But it is limited too. These are only books published, and a subset of them. Books are only a small representation of culture, and by virtue of publishing being gated (in the past) would carry inherent biases. To be fair, the authors are aware of this and bring it up towards the end. It also raises the concerns that have now grown louder – who owns the data, who has access, what is it being used for?

    So, if you go by the title, you might be a little disappointed, but it is an interesting story well told and made accessible. It does provide many, many interesting trends and findings across disparate things like technology, popularity, grammar. You would like it especially if you’re interested in language – words, their usage, grammar etc.

  • How Emotions Are Made

    Lisa Feldman Barrett

    Just when I thought I was getting some stability (in my thinking) on the free will vs determinism debate, here comes fresh food for thought. As per ‘How Emotions Are Made’, while the combination of genetic and environmental factors do determine our behaviour, free will has a definite play.

    The core theme of the book is a constructionist theory of how emotions are made, as opposed to a classic theory. The classical view assumes that each emotion has a unique ‘fingerprint’, as against the opposing view that variation is the norm. This has implications not just on how we physically manifest our emotions but on our understanding of how the nervous system operates as well. And finally, the classical view believes that emotions are inborn and universal. But the alternate view is that emotions are formed based on shared concepts, influenced by social reality and culture.

    The view of the brain as a tiered system (survival, emotion, cognition) is one of the first myths that the author breaks. Further, as opposed to being the result of a stimulus-response mechanism, emotions are a result of the brain simulating and predicting, based on a bunch of factors. What we call emotions – anger, fear, happiness etc- are concepts that get created and honed in the brain. Concepts, goals, words all help the brain frame any new stimulus it receives and then predict. By reframing concepts and looking at them more objectively, we can reshape what emotions are surfaced, and thus exercise free will.

    Towards the middle of the book, the author sets up the answer for “are emotions real” with the classic philosophical question of “If a tree falls in a forest and no one is around to hear it, does it make a sound?”. The answer is that both fall under the “perceiver-dependent” category. Emotions are thus, a social reality and become real because of collective intentionality and our ability to communicate using words.

    This understanding of emotions, and how much we control/are in control has implications on a lot of things ranging from our daily behaviour to the way the judiciary system works and how we deliver justice.

    ‘How Emotions Are Made’ is refreshing because of the alternate perspectives, all of which are backed by science. The author makes it a point to call out hypotheses where it’s not. The language is technical only when needed and explanations are lucid. In all, it is a fascinating book that has made me rethink a lot of what I thought I knew about myself and the world. Not an easy read, but absolutely worth the time. And that’s why it made it to my 2019 favourites.