Category: Books

  • Winter Moon

    Dean Koontz

    I was quite surprised that the book was published in 1994. I expected a much earlier date, judging by the work. Its not really bad, but it doesn’t have that gripping quality of Koontz’ later works, of which I’m a big fan. That’s when I got to know that this was first published as ‘Invasion’ in 1975 under the pseudonym Aaron Wolfe.

    The book initially follows two stories in parallel – Jack McGarvey, a cop, and his family in Los Angeles, and Eduardo Fernandez, Jack’s deceased partner’s father, who lives in a ranch in Montana.

    Jack is recuperating from an incident involving a drug-crazed Hollywood director, who opens fire on innocent people, in a service station. Jack ends up having to kill him, and lands himself in the hospital for several months.

    Meanwhile, at the ranch, Eduardo notices bizarre phenomena among the animals around, and realises that there is a mysterious alien force involved.

    Though the book does feature the Koontz trademarks – dog, single kid, quotes from the (then) non existent ‘The Book of Counted Sorrows’, it semmed to be more a Stephen King approach than the later works of Dean Koontz.

    Not really a bad read, but there are definitely better Koontz creations out there.

  • Chasing the Monk’s Shadow

    Mishi Saran

    There are some books that one wishes went on forever, for the vicarious experience offered is incredible. This is one of those. Long after the pages have been completed, the journey promises to stay in my mind.

    It is now exactly a decade since Mishi Saran started on her journey – to follow a monk who had himself made a journey of over 10000 miles, 14 centuries before her time. Xuanzang, who I last met in my history text from school, the monk with the neat backpack.

    The book hooked me right from the time the author described how she found a purpose – “an Indian woman with a Chinese craze, a Chinese monk with an Indian obsession, we had the same schizophrenia, the monk and I. It seemed logical to take the same road.”

    The best journeys are those which traverse time and space in one stroke, and that’s exactly what this book does. Though in many ways, it could be described as a travelogue too, that would be utterly unfair. It is very much a personal journey for the author, a search for her roots, and identity.

    As Mishi Saran travels across China and Central Asia, following Xuanzang’s path, her vivid prose blurs the boundaries that have been created in the modern era, and its easy to see the influence of ancient civilisations and regimes influence art, architecture, language, customs and thus life itself. And at the edges, where its not just cultures that collide, but religions too, as they are reshaped or recast in different moulds – Islam, Buddhism, Sufism…

    The writing style forces one to make the journey with her, and I could see that there were actually three journeys unraveling simultaneously – the author, the monk, and the Buddha himself. All of them journeys with a purpose.

    And amidst all the eloquence, it has obviously been a journey that required grit and courage.. And luck, which many a time failed the author. From places where children going to school needed visas and permits, to the posturing of a few contemporary students of Buddhism, to the origins of words that are still used in common parlance, and characters which seem to leap out of history pages – Ashoka, Kanishka, Chandragupta, the pages hold in them, tangential journeys for the reader.

    The last part of the book, where the author gets to (almost) finally visit the territories crossed by Xuanzang in Afghanistan, is written a month before 9/11, and gives us a gripping account of Afghanistan under the Taliban, with glimpses of people who have perhaps yet to find peace. “I believed him. It was hard not to believe a man when you were standing in front of his blown-up home and staring at the ruins of his life. Whatever the story was, this was his truth.” Unlike fiction, one cannot console the self that the person and his story are imaginary. The last part of the journey does not add a lot with respect to the purpose of the book, but it’s a part that I’m glad the author chose to add here.

    As a reader, I could relate to the author’s words in the last page “…I understood less, not more…. I had acquired this sadness”, and that is what makes this book one of the best I’ve read.

  • The Immortals of Meluha

    Amish

    The first of the Shiva trilogy. The book takes a historical view of Hindu mythology and looks at the Hindu God Shiva as a human who through this actions got elevated to the pedestal of Mahadev – the God of Gods. Set from 1900 BC onwards, it tracks Shiva’s journey from Mount Kailash in Tibet to the land of the Sapt Sindhu inhabited by the Meluhans, who see him as ‘Neelkanth’, the incarnation that will help them triumph over evil. ‘Evil’ to them are their neighbours, the people of ‘Swadeep’.

    The book is very fast paced and tells a good story. It also has a sprinkling of philosophy, especially towards the end that lends it some (relative) gravitas. Though the book shows no dearth of imagination in bringing a reality perspective to a lot of things we consider myth, what I felt it lacked was a certain finesse of prose, a factor that made it seem corny at regular intervals. But that won’t stop me from picking up the other two books, and that sense of intrigue is what makes the book a good read.

  • The Elephant and the Maruti: Stories

    Radhika Jha

    Radhika Jha is perhaps one of the most unique authors I’ve ever read, even if I had to judge only from this book. There is a vividness in the prose that I’ve rarely experienced before. The book consists of 6 stories. ‘The Wedding’ gives us a peek into Delhi’s high society, as portrayed by a wedding that stops just short of bizarre. This would be my least favourite. ‘Hope’ uses two characters – the narrator, who represents a typical middle class migrant to the big city (Delhi) and Shibu Mondal, a roadside beggar with a cruel past, and their experiences, to describe facets of the city’s relationship with its inhabitants.

    3 characters and their unique relationships with ‘Beauty’. This one is set in Bangalore and features Koshy’s. ‘The Elephant and the Maruti’, is a chain of events set in motion after an elephant steps on a Maruti in a busy Delhi traffic junction. The story takes us through a cross section of social layers, and seems a hat tip the ‘circle of life’ as well as the ‘butterfly effect’. ‘Sleepers’ is set in the remote village of Mangladi, and the narrator’s experience with the role of blind faith and religion in individual lives and the community. ‘The Cook’ is the story of a chef whose family realises that he has lost his skills. The chef feels that his family is plotting against him. What follows is a maze of betrayal and counters, which ends in a neat twist.

    The stories are all a mix of vivid explanations and layered mysteries, often leaving a lot to the reader to imagine, and fill. Worth a read.

  • Four Steps from Paradise

    Timeri N Murari

    In the years immediately following India’s independence, the Naidu family retains its glory and wealth, and the traditional joint family ways of living. The narrator is Krishna Naidu, the youngest member of the clan, eight years old and the darling of everyone in the family. Having lost his mother at an early age, his father means everything to him, though he is very loyal to his siblings and grandparents too.

    The story begins with his father introducing Krishna, his favourite, to his, and his siblings’ new governess – an Englishwoman, Victoria Greene. Krishna’s father Bharat is an Oxford returned Indian bureaucrat, whose years in England have made him more British than Indian in his lifestyle and outlook.

    The entry of Victoria into the traditional Indian family serves as an allegory on the impact of the British. Victoria’s status change from governess to stepmother, much to the disapproval of the rest of the family and even the eldest of Krishna’s siblings – Anjali, also marks the first sign of dissension in the family as it is seen as a failure on the part of the head of the family- Krishna’s maternal grandfather, to maintain control over the family’s affairs.

    What follows is a sea change in Krishna’s conditions and within a few years he is forced to leave his ancestral home, his cousins and aunts and uncles, and live in conditions totally unfamiliar and uncomfortable to him. With age also comes the understanding that not all relationships last forever, and not all perspectives last the test of time. As he watches everything that he held sacred crumble before his eyes, he realises that even his gods have clay feet. Laying more emphasis on the early part of his life, the novel ends in 1993, when Krishna is 50.

    The novel also shows us glimpses of the conditions that probably broke the fragile bonds of large families, and forced the disintegration of a traditional joint family structure, which had survived despite the jealousies and intrigues, for generations. It is an enjoyable read, especially since it captures a range of human conditions and personalities and keeps a few tiny secrets till the end.