Category: Books

  • The Tao of Travel: Enlightenments from Lives on the Road

    Paul Theroux 

    Whenever I take a vacation, I arrive as a tourist and like to think that I leave at least partly converted into a traveler. I am forever envious of travelers, many of whose journeys serve as a purpose in itself. This book is an excellent little guide to what the author mentions in the preface – paraphrasing the Buddha – “You cannot travel the path before you become the path itself”, and how travel is also a way of living, and thinking.

    In addition to excerpts from various works by different travel writers and adventurers, classified by unique and amazing themes from Railways, time spent in travel to Murphy’s laws, to imaginary journeys, how places are different from what they sound like and so on, the book is peppered with Travel Wisdom from various authors.

    There are gems hidden in the pages – little quotes that somehow tell you that the spirit within each wanderer is essentially the same. The description of places and times by masters are splendid enough to transport you to locales across to world from Alaska to Africa and Russia to South America….And it’s not just the places, but the people who live there, the way they think, and one can sense the cord that invisibly connects humanity.

    In 275 pages, the author manages to indeed provide a Tao of Travel across time and space. Must read.

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  • First Draft: Witness To The Making Of Modern India

    B.G. Verghese

    BG Verghese’ “First Draft” is part memoir, part history and covers many decades in its wide sweep. From the description of the Times on the day of his birth (21/06/1927) until his assessment of the challenges facing the nation in 2010, the book is his perspective on the events he has witnessed and many a time, been part of. Sometimes it is tinged with nostalgia – his description of the Doon School for instance, and at other times, it is an objective view of the various decisions and circumstances that have shaped India.

    From national milestones like the first elections (described so we get an idea of the herculean task it was in an era that didn’t have the communication infrastructure we see now) and the construction of the steel plants and dams and IITs,IIMs we see around now, to humanity’s collective achievements such as Neil Armstrong on the moon (even as a villager adamantly states that it is just impossible) we get a first hand view of things we now acknowledge as history and landmarks. Relationships with the US, USSR as well as neighbouring countries and the wars fought with the latter, including an analysis of the things we did right/wrong all appear, mostly in chronological order. Also adding texture to the narrative are anecdotes of Prime Ministers, most significantly Indira Gandhi. The formation of AIR and Doordarshan, nuclear tests, the political battles within the Congress, formation of other parties, JP’s work, the rise of Naxalism, Operation Bluestar, Sanjay Gandhi’s bizarre schemes, the Emergency, the death of Mrs.Gandhi, Rajiv Gandhi’s baby steps into politics and the paradigm shifts he kickstarted, communal riots, the formation of LTTE, the Bhopal tragedy, VP Singh and Mandal and Bofors, BJP and Ramjanmabhoomi, the chronic Kashmir issue all gives one a feel of time travel.

    There is massive ground covered – nuclear policy, social-economics, geo-political relationships, the functioning of media houses etc in addition to his views on public service broadcasting, policies for the North East, industrialisation, water and so on. As an editor and someone who has worked with the government, and as part of external agencies, fact finding committees and so on, the author is well placed to deliver an incisive view of history as it was being made and with the advantage of hindsight. (now) Barring a meagre few pats on the back and digressions, he does provide a decent and objective look. It is quite a humbling feeling to ‘watch’ as generations of politicians and institutions almost flash by and one finds some pattern in the fuzziness seen around – the reason for the way we are, as a country. It is also heartening to see that patriotism aside, the author feels that we are on an ascendant. Despite some patches that are specific in nature (towards the last 100 pages) and tend to be discourses, this is a great read for anyone interested in modern history.

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  • Jaya: An Illustrated Retelling of the Mahabharata

    Devdutt Pattanaik 

    I consider myself more well-versed with the Mahabharata than the average person, because of my interest in Hindu mythology and the amount of reading I’ve done on the subject. But I’m really glad I read Jaya, not just because of the small details I learned about (I counted 6 things I hadn’t known about – Sahadeva’s precognition gained by eating Pandu’s flesh, Draupadi cursing dogs to copulate in public for stealing Yudhishtira’s slippers, Vibhishana being present at Draupadi’s swayamwar, a couple of stories on why Krishna stepped in to protect Draupadi when Dusshasana tried to disrobe her, why Shakuni did his best to ensure the destruction of the Kuru clan, Draupadi’s regret over Karna and at least a couple more interesting tidbits) but because of the wonderful lessons it provides. The author also mentions several variations of the tale, regional renditions and folk variations adding layers to the original story. Even as one feels the familiarity thanks to the places (which still exist) mentioned and can identify with the experiences and tribulations of the mortal characters, there is also an awe created by the elements of divinity.

    Jaya’s excellent illustrations and the simple yet elegant and evocative storytelling took me back to a time when I first started hearing these stories – childhood. So vivid is the prose that one can easily create visualisations of the events. The explanation of events are done on many planes – rational, metaphysical, spiritual, bringing a lot of clarity to the complex tale. The concepts of dharma and justice are explained beautifully and even as the Pandavas grow their perspective during their exile and their pride, anger etc get tempered before and after the war, there is tremendous learning for the reader too. It is easy to understand why this is indeed considered the greatest story ever told, and continues to be relevant through ages. The original tale is epic, and so is the narration in Jaya. Very highly recommended.

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  • White Mughals: Love and Betrayal in Eighteenth-Century India

    William Dalrymple 

    In the eighteenth century, when the East India company was not yet the force it would one day be, there existed a few Englishmen (and other Europeans) who took up the ways of the fading Mughal culture. These were the White Mughals and among them was James Achilles Kirkpatrick, who arrived in India a soldier and soon rose to be the Resident of Hyderabad, mostly thanks to the influence of his older brother William.

    Friend of the Nizam, and an ardent lover of the Indian culture he came in contact with, he was willing to sacrifice everything to marry Khair un Nissa, a Hyderabadi noblewoman, who was already engaged to be married. Although the core of the book is their love story, and its aftermath, Dalrymple does take a while to get to it. He first gives us the prevalent scenario and glimpses of the other White Mughals like Hindoo Stuart, David Ochterlony etc to set the context. Even after James is fully in the picture, he focuses on the Nizam’s court, its players and its intrigues in which James is heavily involved, Hyderabad’s strained relationship with the Marathas and the charged political atmosphere which the Company was trying to profit from. But this also gives us an elaborate view of Hyderabad, its people, its art and culture and finally James’ relationship with Khair. In this broad canvas, we can also see the various Governor Generals and their varied stance on relationships with India and Indians. The images allow us to visualise the life and the times.

    <spoiler> After the death of James, the book follows the life of Khair as the story moves from Hyderabad to Calcutta to Masulipatnam (and tangentially Chennai) giving us tiny glimpses of the social milieu there, even as Khair pines for her children who have been taken away from her. Dalrymple provides a touching description of the very young children shedding their Muslim identity and donning a Christian one as they board the ship to England. In fact, the painting of the children with Sahib Begum’s (soon to be Kitty Kirkpatrick) teary face is extremely poignant.

    Khair’s only consolation is the presence of her mother, the correspondence with her grandmother and her (ultimately) tragic relationship with another Englishman. Except for the well being of Kitty Kirkpatrick, James’ and Khair’s daughter, the lives involved all have tragic endings, many of which cause lump-in-the-throat moments. Khair’s mother dies in penury and her son dies an invalid at a young age. Though Kitty corresponds with her grandmother, they never get to meet each other. As the author says, the death of Kitty in 1889 was the end of an era, of a world where cultures and people mixed freely without the biases and clashes that came later. A wonderful read for those interested in history.

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  • The Storyteller of Marrakesh

    Joydeep Roy-Bhattacharya 

    The book begins with the proposition that there is no truth, and only opinion. This is a fundamental premise of the book and important from the perspective of its narration. Hassan, the primary narrator begins his story at the Jemaa el Fna, surrounded by his listeners, the motive behind the narration supposedly to prove the innocence of his brother Mustafa, who is in jail for a crime he seemingly did not commit. It involves the disappearance of an exceedingly beautiful woman who tantalised all the square’s inhabitants and visitors, when she made an appearance along with her male companion.

    Though Hassan starts the narration, some of his listeners add their versions of what happened on the night of the event, some contradictory, some corroborative. There are arguments, and debates of what actually happened and truth being an opinion is brought out many a time.

    The narrative shifts gears all the while, as speakers delve deep into their pasts for explanations, and Hassan himself highlights events of his past to give the listeners an insight into his and Mustafa’s lives and behaviour. The prose is elaborate, and vivid enough to be almost considered poetry as the author describes people, places and events in all their textures and facets. It is by no means a racy read nor is it gripping in narrative pace. As Hassan himself says, if that’s the kind of entertainment you want, you’re better off at a cinema. It’s not an easy style to get used to, but no harm in giving it a shot!

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