Category: Books

  • Mumbai Noir

    edited by Altaf Tyrewala

    14 stories, divided into 3 sections, edited by Altaf Tyrewala, that’s Mumbai Noir. A completely different version of the city from the usual grandiose, glamorous ones that most fictional works create, it definitely lives up to the title.

    For some reason, I saw more of Bombay in this than the current Mumbai – in terms of the city’s character and how the actions of various people across different stations in life helped create it. Altaf’s introduction sets up the overall tone and feel of the book pretty well, and sensitises us to the stories ahead.

    In the first section – Bomb-ay – Riaz Mulla’s take on how ordinary hard working people become pawns in the machinations of global terrorism is an excellent start. Paromita Vohra’s mix of internet and real life ‘romance’ and trust makes ‘The Romantic Customer’ a neat read. Devashish Makhija’s ‘By Two’ is quite surreal and tragic, and Abbas Tyrewala’s “Chachu at Dusk” has to be a contender for my favourite among the stories. It captures the transition from Bombay to Mumbai the best.

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  • The Other Side of Light

    Mishi Saran

    I completely loved Mishi Saran’s earlier work “Chasing the Monk’s Shadow”, an inner journey as much as an actual one. In some ways I could associate it a little with Asha’s journey in ‘The Other Side of Light’, a work of fiction. The blurb says she has written short stories earlier, but I have to wonder whether this contains autobiographical elements, like many first time works of fiction do. (just a thought)

    The book is written in flashback mode as we get the current status of Asha’s life in the first few pages. We follow Asha’s life right from the time she was born – with a harelip. Childhood is zoomed through but college is an important part of the story – friendships and first love and the camera that, in many ways, defines Asha’s life later. The narrative is fairly linear, with Asha’s friends, love interests, parents and teacher playing important roles. History and events pop up every once in a while in the background and it’s almost as though the protagonist and the nation are being moulded by their experiences in parallel. (more…)

  • Difficult Pleasures

    Anjum Hasan

    Anjum Hasan is definitely among my top 3 favourite authors, and this book only adds to it. But that also means that this is not a thoroughly objective review. 🙂

    The book has thirteen short stories that have a varied set of characters in different circumstances. As the jacket informs us, some of the stories are borderline surreal, but that doesn’t take away from the empathy that the author (has and) seems to be able to evoke in the reader. This is especially commendable because the characters vary in age, socio-economic class, mindset, location and many other factors. Yet, the single common takeaway from each of these (sometimes not-so-ordinary) slice of life situations is how the author is able to drag the reader in and empathise with the character/s even if not completely identify with. (more…)

  • The Krishna Key

    Ashwin Sanghi 

    ‘The Krishna Key’ has all the ingredients that a thriller needs – a direct connection with history and/or mythology, a James Bond -like leading lady and vamp, a serial killer, and a plot that more often than not, is racing to a climax; and yet, I had a feeling of unfinished business after I completed the book. I think Ashwin Sanghi painted himself into a corner as soon as he decided what the ‘key’ would be because it would be difficult to end it any other way.

    The entire plot is built around Krishna’s legacy and its path through the ages. So chapters begin with Krishna’s own story and at many times, one can sense a certain similarity in events, though the characters are completely different. There is a fair amount of vagabonding in space – Kailash, Dwarka and so on and time – Vedic to Mughal to the modern era. (more…)

  • From The Ruins of Empire

    Pankaj Mishra

    The mid-late 19th century and the first half of the 20th century was a period dominated by Europe and later, America, and much of humanity’s narrative in that period has, as always, been written by the victor. The victors also did much to enforce their way of life and thinking on to their subject audience, which, seeing its own set of institutions crumbling against this onslaught, began admiring and aping their masters, or at least silently suffering.

    What Pankaj Mishra does in this book, is give us a perspective shift – a view from the ‘first-generation’ thinkers of the time. Though their approaches and line of thinking were different, courtesy the varied milieu they lived in, their narratives had a couple of commonalities – an aversion for the West, and a recognition that they needed to build an indigenous renaissance to break the shackles and rise again. (more…)