Category: Books

  • Serious Men

    Manu Joseph

    “All a man really wants is to be greater than his friends”- Ayyan Mani’s belief is indeed the theme that runs through ‘Serious Men’ though it manifests in different ways across classes. The jacket pitches the plot as the ramifications of Mani’s efforts to raise himself above his peers by creating the myth of his son’s genius, but the story belongs as much to the scientist Arvind Acharya as well – an eccentric genius heading the Institute where Mani works, and whose contempt for his peers and views about the direction that physics should advance in, make him a target.

    The narrative switches between the two characters – from Mani’s first salvo in showcasing his son’s non-existent mental abilities to the office politics at the institute to Oparna’s entry in Arvind’s life and so on. The author fully uses the characters to philosophise, (“Hope is a lapse in concentration“) but it’s woven in excellently and doesn’t jar at all. There is some amazing wit – usually acerbic when Acharya is involved (“I have been inside your mind. It was a short journey“)- as well, and again, in line with the nature of the characters. What I really liked is how the author has fleshed out the characters – not just the main ones, but those in a supporting role as well. Their motivations, their own little quirks, all point to a deep insight on how the human mind works, though it is surfaced in unusual ways. (more…)

  • Rajinikanth: The Definitive Biography

    Naman Ramachandran

    The definitive biography of perhaps the biggest star that India has seen – THE superstar Rajinikanth – is quite a big thing to bite off. At 255 pages, I’m not too sure it does complete justice. This is not to say that the author hasn’t tried, but to me, the contents just didn’t seem enough. In fact, it was in the second half that I felt he was warming up to the task at hand.

    The first half includes the early years of Rajinikanth, his entry into movies, and the first decade and a half of his movies. The author does try hard to remain objective and not be in awe of the object of his attention, but that’s obviously not an easy task. What results is a mix of two things – a kind of retrofit applied to his formative years which tries to show that he was always meant to be the Superstar, and an almost bare factual filmography. It’s probably not the author’s fault because he might have found it difficult to find anecdotal material from that era, or people might have altered their memory to fit the image of the superstar who exists now. Either way, the first half swings between these two, and does not really make a great read in terms of narrative. You’ll love it if you’re a Rajini facts junkie and it also shows the amount of research the author has done, as he tries to explain the milieu and the context of life, culture, movies and politics of the era, mostly in Tamil Nadu, but sometimes even beyond that. (this was really done well, I thought) We do get glimpses of Rajini the person, and his life outside cinema, but never really enough. It almost seems as though the author was in a hurry to start with the contemporary era. [To be noted that this part also manages to show how big a star and talented an actor Kamal Hassan was in that era] (more…)

  • Empire of the Moghul: The Tainted Throne

    Alex Rutherford 

    The fourth and (I think) penultimate installment of the ‘Empire of the Moghul’. The book begins with Jahangir quelling Khusrau’s rebellion and ascending the throne. This episode, as well as his machinations to get back Mehrunissa, give us a sense of the ruthlessness in him.

    The book also brings out the chequered relationship between him and Khurram, who was also a favourite of Akbar. Though the main protagonists appear to be these two, the book is brought to life by Mehrunissa, portrayed as an intelligent and shrewd queen who will stop at nothing to make sure that she is a relevant force in the scheme of things. As Jahangir succumbs increasingly to opium and alcohol (possibly encouraged by the queen) she takes control of the running of the empire and then tries to ensure that Jahangir’s successor would also be her puppet. The narrative also features Europeans in fairly prominent roles and is a representation of their increasing presence in the subcontinent. (more…)

  • The Last War

    Sandipan Deb

    Sandipan Deb’s rendition of the Mahabharata in Mumbai. This is obviously not the first rendition of the Mahabharata in contemporary events – Tharoor’s The Great Indian Novel, Mani Ratnam’s Thalapathi, Prakash Jha’s Rajneeti – but this one manages to shift the scene to what seems like an apt arena – the Mumbai underground. Bombay is Kurukshetra and Bombay is the prize.

    As with all the other renditions, it is practically impossible to fit all characters and events into the new canvass, so the author has been clinical in removing characters and reshaping events to fit his narrative. On a positive note, the interpretation is not altogether flawed, but is written very clearly on a simplistic level. Many characters have been well etched and can be seen as very close parallels of their originals. There are also contemporary incidents like match fixing, 9/11 etc which have been woven into the plot.

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  • The Great Railway Bazaar

    Paul Theroux 

    Across Europe and through Asia in the mid seventies! Now that’s what you call travel – time travel for the reader. The journey begins in London, and after a bleak journey on the Trans Siberian express, ends there as well. There are thirty trains in this amazing chronicle, and they are as much about the travel experiences as they are about the culture of the age and the milieu of the countries they pass through. There are some excellent quotes I could identify with too eg. One always begins to forget a place as soon as it’s left behind. At one point, he also begins a short story that I have read in his later works!

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