Category: Fiction

  • Animal’s People

    Indra Sinha

    “I used to be human once. So I’m told. I don’t remember it myself, but people who knew me when I was small say I walked on two feet just like a human being..” That’s how the book begins, and sets the tone and perspective for the book.

    The title of the book could have been built around Khaufpur (based on Bhopal and its 1984 tragedy) as well, after all, the entire story hinges around the one night that changed life in the city forever. But Indra Sinha’s success lies in creating a character whose very existence is a testimony to the horrors of that night. The humanity, or rather the inhumanity of it all is taken to a different level, largely because of the protagonist – Animal. Animal, a 19 year old boy in Khaufpur, whose personal takeaway from That Night is being forced to go on all fours.

    In most other aspects, Animal displays the emotional state of a typical teen with love, lust, jealousy all vying for his attention. It is his pragmatic, mostly raw and guttural perspective and wry humour that gives the book its character. It makes it real enough for the reader to connect with the other characters in the book – Pandit Somraj, the singer who loses his voice thanks to That Night, his daughter Nisha, who is the love of Animal’s life, but who loves Zafar, the activist whose mission in life is to get justice for the victims from the ‘Kampani’, but whose objectivity Animal questions, partly because he is a rival to Nisha’s attentions, Farouq, Zafar’s helper and Animal’s friend and enemy all at once, Ma Franci, a nun who has become senile in her old age and the person Animal loves most, and Elli Barber, the doctor who gives Animal hope, while others treat her with suspicion. Animal’s narrative gives life to these characters.

    Except for a stretched ending, this book is a compelling read, one which makes you look at a faraway incident – in space and time, with a human and humanitarian eye.

  • Confessions of an Indian Woman Eater

    Sasthi Brata

    Amit Ray, the protagonist, starts off by leaving home and his hometown – Calcutta. In his own words, “a gesture, like goodbye notes from failed suicides”. Narrated in first person, this beginning, sets the tone of the book – a certain abruptness that pops up every now and them amidst the otherwise leisurely pace of the book.

    The book is actually more a lifestream, and is quite possibly autobiographical to a considerable extent. Justifying the title, the book chronicles his encounter with women of various kinds, across geographic locations, across relationship statuses, across situations ranging from tender to bizarre, and across time. All of this as he moves from one trade to another – shoeshine boy, reporter, lavatory attendant, engineer, and through most of this – writer.

    There is a certain study of humankind that happens throughout the novel – not just of the principal characters, but even the ones that provide the backdrop. At some points, I was reminded of Pankaj Mishra’s ‘The Romantics’, if only for the curious mix of fatalism and romanticism.

    The ending, much in character, is also abrupt, but it worked for me.

  • The Curious Incident of the Dog in the Night-Time

    Mark Haddon

    Written from the perspective of Christopher John Francis Boone, a 15-year-old autistic boy, the book begins with Chris deciding to investigate the mystery of who killed his neighbour’s dog – Wellington. Despite several setbacks, even from his father, who is usually supportive, Chris continues his dogged pursuit. The rest of the book is a vivid tale of how Chris methodically goes about solving the mystery, and the other things his seemingly simple quest throws up.

    The detailing of Christopher’s character – behaviour, his thoughts, the way his mind works, his likes and dislikes, is extremely well done – right from the chapters appearing in the prime number sequence to the solution of a maths problem in the appendix.

    Chris’ perspectives on many questions that mankind still debates on – computers and human brains, time and space, God and evolution, (though I felt it sometimes stretched the character’s possibilities a bit too much) combined with his inability to comprehend several things we take for granted – jokes, for example, or his having to cut a patch of hair off because he wouldn’t let anyone shampoo off the paint that had got stuck on it, makes for an endearing character, that leaves you poignant.

    Chris’ father Ed is also someone I felt sorry for, it is perhaps impossible to comprehend the patience required to parent Chris. Chris’ teacher/friend/mentor Siobhan is also a memorable character for the tremendous understanding she shows while helping him adjust to the ways of the society he lives in.

    In essence, a unique and excellent read that makes one think of the paradox of simultaneous simplicity and complexity in the human life.

  • Chesapeake

    James A Michener

    From 1583 to 1978 the saga rolls, tracking the lives of individuals, their families, the society they live in, and most importantly the place where all of this happens. Chesapeake is as much about a way of life, as it is about the place and its people.

    The book is typical Michener, and uses individual stories across generations to show the way a place and its society has evolved. Even as each generation’s story is read, it is difficult to realise the passage of time, since sometimes the changes are too subtle to be noticed.

    As many of the place’s characteristics remain unchanged, despite human efforts, it becomes easier to acknowledge the transience of man, and the things he builds, not just boats, buildings etc, but even the constructs of the society he lives in.

    The book captures the plight of the Indians who were the original inhabitants of the area, the arrival of the first conquerors, the American war of Independence, the slave trade, the Civil War, World War 2, Watergate, some of them in the foreground, and some in the background, as the fortunes of individuals and families rise and fall.

    Humans, nature, and human nature – a good mix. 🙂

  • 2 States: The Story of My Marriage

    Chetan Bhagat

    When Khanna & Iyer met Ek Duje ke Liye. Chetan Bhagat’s works have never been literary classics, relying more on a racy story, wit, and an interesting enough plot. Sadly, this one works only the first count.

    The plot is an oft repeated one – the love story of a Punjabi guy and a Chennai girl, who meet each other at IIM, and whose parents are opposed to their relationship. I found the depiction of the stereotypes obnoxious, and I’m neither Punjabi nor Tamilian. Making sure that there are digs aimed at both sides and having a disclaimer at the start that you only take digs at your own, doesn’t change the godawful way of depicting the ways of life of two communities. It definitely isn’t a substitute for wit. If the idea was to change the North-South relationship’s status quo, really sorry, but it only strengthens the stereotypes, and adds a few ones too. Sample this

    “They sounded like long wails, as if someone was being slowly strangled” on Carnatic Music.

    I finished the book, because I hate leaving books halfway, and thanks to a perverse wish to see the new depths being explored. I was extremely disappointed with the book, more so because I have always defended the author, and asked why books always have to be literary masterpieces, and can’t be just good entertainers. Chetan Bhagat had so far ensured that his books were entertainers, perhaps this one would deliver too, if you can say goodbye to your sensibilities and sensitivity for 267 pages.