Category: Fiction

  • Backseat

     Aditya Kripalani 

    Judging by the date of publishing, this is probably the prequel to the school of writing (not genre, but language skills) that has one Mr.Tripathi as its patron saint now. The word skills are right up there – my favourite would have to be “help her bare the night” which, in the context of dance bars, was unintentionally very funny. There were enough bloopers around to indicate that the above was not clever wordplay.

    The plot itself is fairly predictable except for patches, and the pace makes it bearable. The characters are uni-dimensional, though on a few occasions, they get out of their skin and go roaming randomly. The language is Marathinglish, and it’s possible you might pick up a few non-English phrases by the time you finish the book. (more…)

  • Sons of Sita

     Ashok K Banker

    The final book in Ashok Banker’s Ramayana series. It is also the concluding part of the Uttara Kaanda, and is set a decade after Rama banished Sita. Luv and Kush, her sons, grow up in the hermitage of Valmiki, and from the first page, set out, unwittingly, on a collision course with their father.

    The author departs from the various versions I have read and puts a new spin on the events leading to the family reunion. I can’t be sure, but it would seem as though Banker’s version of Ayodhya is modeled after a superpower, complete with a political group called Republicans! Its acts of aggression, citing necessities that would seem selfish to an objective viewer, are easily comparable to what the US has been doing. Rama is portrayed as a king who takes on the mantle of an emperor on advice from a set of people motivated by their own vested interests. His relationship with his brothers has moved away from one of affection to more between that of a monarch and his vassals. (more…)

  • Serious Men

    Manu Joseph

    “All a man really wants is to be greater than his friends”- Ayyan Mani’s belief is indeed the theme that runs through ‘Serious Men’ though it manifests in different ways across classes. The jacket pitches the plot as the ramifications of Mani’s efforts to raise himself above his peers by creating the myth of his son’s genius, but the story belongs as much to the scientist Arvind Acharya as well – an eccentric genius heading the Institute where Mani works, and whose contempt for his peers and views about the direction that physics should advance in, make him a target.

    The narrative switches between the two characters – from Mani’s first salvo in showcasing his son’s non-existent mental abilities to the office politics at the institute to Oparna’s entry in Arvind’s life and so on. The author fully uses the characters to philosophise, (“Hope is a lapse in concentration“) but it’s woven in excellently and doesn’t jar at all. There is some amazing wit – usually acerbic when Acharya is involved (“I have been inside your mind. It was a short journey“)- as well, and again, in line with the nature of the characters. What I really liked is how the author has fleshed out the characters – not just the main ones, but those in a supporting role as well. Their motivations, their own little quirks, all point to a deep insight on how the human mind works, though it is surfaced in unusual ways. (more…)

  • Empire of the Moghul: The Tainted Throne

    Alex Rutherford 

    The fourth and (I think) penultimate installment of the ‘Empire of the Moghul’. The book begins with Jahangir quelling Khusrau’s rebellion and ascending the throne. This episode, as well as his machinations to get back Mehrunissa, give us a sense of the ruthlessness in him.

    The book also brings out the chequered relationship between him and Khurram, who was also a favourite of Akbar. Though the main protagonists appear to be these two, the book is brought to life by Mehrunissa, portrayed as an intelligent and shrewd queen who will stop at nothing to make sure that she is a relevant force in the scheme of things. As Jahangir succumbs increasingly to opium and alcohol (possibly encouraged by the queen) she takes control of the running of the empire and then tries to ensure that Jahangir’s successor would also be her puppet. The narrative also features Europeans in fairly prominent roles and is a representation of their increasing presence in the subcontinent. (more…)

  • The Last War

    Sandipan Deb

    Sandipan Deb’s rendition of the Mahabharata in Mumbai. This is obviously not the first rendition of the Mahabharata in contemporary events – Tharoor’s The Great Indian Novel, Mani Ratnam’s Thalapathi, Prakash Jha’s Rajneeti – but this one manages to shift the scene to what seems like an apt arena – the Mumbai underground. Bombay is Kurukshetra and Bombay is the prize.

    As with all the other renditions, it is practically impossible to fit all characters and events into the new canvass, so the author has been clinical in removing characters and reshaping events to fit his narrative. On a positive note, the interpretation is not altogether flawed, but is written very clearly on a simplistic level. Many characters have been well etched and can be seen as very close parallels of their originals. There are also contemporary incidents like match fixing, 9/11 etc which have been woven into the plot.

    (more…)