Author: manuscrypts

  • Paperback Raita

    William Rhode

    Joshua King’s father dies of a viagra overdose and in his will, states that his son would inherit a fortune if he wrote a bestseller. Josh is of course, busy bumming around in India, clueless about what to do with his life, and doesn’t particularly like being forced to have a purpose. But the money is tempting, and so Josh sets out on the job.

    This premise ensures that the entire book/ parts of it can be seen in meta – though Josh is writing it in the first person, it might as well be completely his imagination at work. As Josh himself states, quite a few times, the book has it all – “drugs, diamonds, exotic locations, sexy girl, the plan that goes horribly wrong”. Add to this some deceit, a few doses of how media makes stories and a sprinkling of philosophy, and you have a reasonably good read in your hands.

    I’d say that Josh is tripping on life in general, and India in particular. In addition to the familiar stereotypes, there are also thinly veiled inspirations – Faizad Gerstad, the drug peddling film director, Dowdy Ibrahim – the mafia warlord, to name a few.

    A roller coaster ride – from Bombay’s party and ‘Boom Shankar’ circuit to its grimy street life and then a roadtrip to the deserts of Rajasthan, its definitely fantastical, and though you can easily guess the end, it keeps your attention.

  • Bad Tease?

    battees

    The Riddler presents…. I was asked whether I’ve stopped writing 55s. Maybe I was waiting for an occasion. Actually, look at the occasion in another way, and you’ll find it adds up. If you didn’t get it, maybe this is just another bat tees post. If you did, don’t make a joke of it, okay?

    until next time, add your 32 bits 🙂

  • Bhojohori Manna

    I’ve always felt that the biggest threat to the Mallu plans of world domination would come from the Bongs. Though they have been less organised in their approach, recent activities would indicate that all that is changing. Take, for example, Koramangala. There are no less than half a dozen restaurants on record now that serve Bengali cuisine. Not to mention, ‘Heritage of Bengal’ that has replaced the heritage Mallu joint Ravi’s Kitchen in Koramangala. The threat is on other fronts too. I was not really a big fan of mustard oil, until I realised that our Oriya cook  had slowly corrupted our (D’s and mine) taste buds over the period of two months he’s been with us!!

    And that’s how I thought it was about time that we undertook a third reconnaissance mission. (after Kolkata and The Esplanade). Bhojohori Manna is on the same road as Anupam’s Coast II Coast, Imperial etc. The map is here, Bhojohori Manna is a couple of buildings from Anupam’s. Parking for 2 wheelers is easy, and since there are many side lanes around, larger machines should be able to manage too.

    BM is spread across two floors. Well, spread is perhaps the wrong word, but they have used the space well to create a cosy, pleasant ambiance. The decor would be just like any other fine dining place, but the music, lamp shades and the cushions with Kantha work (oh don’t worry, guys, I am on your side, I had no clue what this was until D pointed it out. Still haven’t deciphered it either) gives the place the character its name demands.

    We didn’t start out really well. We went to the 2nd level for the view to the road outside, but weren’t allowed to sit at any table with that view, because they were all 4-seaters. So we went back down and thankfully got a good seat, which offered  a view, without the erm, high ground. This was at about 7.30 and by 8, there was quite a crowd. Thankfully, the person who took our order turned out to be a pleasant guy who  made things better with all the help he gave us in choosing the dishes. The menu is not as exhaustive as the one provided on their site, but still managed to give us enough options.

    We started with a Pora Bhetki, which is fried fillets of the Bhetki fish (red snapper?). Though it was tasty, with a good masala coating, and a chutney that complemented it well, Rs.180 was quite too much, especially considering the prices of the rest of the menu items. Would advise you to try out something else from the many options available. It didn’t help that they brought all the main course items before we completed it.

    So, for the main course, we started with Luchi and Chicken Dakbangla. (liked the Ramsay Brothers style name of the latter)  The luchis were quite good, and not very greasy. The Chicken Dakbangla was excellent, though the pieces were more bone than flesh. The question remains unanswered too, as there’s an egg in the dish. Recommended, in spite of the bones. Since 2 luchis each weren’t really enough, we also had a Koraishutir (peas) Kochuri. Turned out to be a good choice, and thanks to the staff for pointing out that our original choice Bakarkhani Roti wouldn’t go well with the chicken dish. Bheesh it was next. 😀 So we had Pabda Shorshe with steamed rice. Thanks to our ‘tampered’ taste buds, we enjoyed the mustard based fish curry. Somewhere in between, D also tried out an Ampora Shorbot which was reasonably good.

    The portions are just sufficient for two people, and when you’re not really hungry. The good part is that it allows you to try out various things, and still leave space enough for dessert!! Except for roshogulla and sandesh, the usual suspects including the mishti doi were not available. The guy who helped us out insisted on us trying out an ice cream. Since I wanted to hedge it, we asked for one of those ice creams and a roshogolla. The roshogolla was just okay, but the ice cream was absolutely fantastic. So I ended up ordering one more of that all for myself. Later research established that it was a ‘Natun Gurer ice cream’ (made of date palm jaggery). Gurest, sorry, best dessert I’ve had in a while, though the consistency is more ‘mishti doi towards mousse’ than ice cream.

    All of the above cost us just over Rs.600, which I thought was good bong for the buck. (though I really don’t know enough to comment on authenticity).

    Bhojohori Manna, 668/B, 6th Block, Koramangala Club Road, Ph: 080 25503666

    PS: Erm, meanwhile, any Bong reader here who can forget petty world domination plans and share the ice cream recipe? 😉

    Menu and Photos at Zomato

  • Relative..reality

    For some strange reason, I’ve read Pankaj Mishra’s books in reverse order..well, almost. I read The Romantics first, a long time before, and it remains a book I’m very attached to. Its a good book, but I’ve never figured out the exact reason for this strange bond, in spite of making a rare exception and reading it a second time. Maybe it was the time I first read it (a stage of life) or its characters or its title, someday I hope to know, it will tell me a bit more about myself, perhaps. But meanwhile, from The Romantics, I was lured straight to ‘Temptations of the West‘. A few months later, I read ‘An End to Suffering‘, which served as a kind of introduction to Buddhism for me, as Mishra mapped it on to his own spiritual evolution. I finally completed his first book, ‘Butter Chicken in Ludhiana: Travels in small town India’ more recently. Though its title would indicate so, calling it a travelogue would be a gross injustice, as it also manages to recreate the India of the 90’s. So, yes, it is a travelogue, but like many of its ilk, it works in space and time. No, this is not really a review. 🙂

    I’m quite glad that I read his books in the order I did. If I read it earlier, I might have been irritated by the cynicism in the book. But having read his later books, I felt almost as though I was with him, as his thoughts and personality evolved. The book gives you loads of nostalgia triggers – from Baba Sehgal’s ‘Main bhi Madonna’ (i still remember the Magnasound casette cover :D) to mentions of Nonie and Mamta Kulkarni, it draws upon tiny incidents of those forgotten days.

    Many of you may not be able to associate at all with those three people mentioned above, for me, they bring back an era, their importance is relative. I even wondered whether, in future, we will have nostalgia townships, like we have the amusement parks now. The 70s, 80s, 90s re-created in terms of people, music, movies, fashion and all the elements of pop culture that can be attributed to an era. So, when you have those nostalgia pangs, you can call a few friends and take a vacation to bring back a period in your life. 🙂

    A common theme struck me as I ‘moved’ through the book’s pages. Mishra mentions Murshidabad looking towards Calcutta in hope, for job prospects and a better life in general. In many people’s perception, Kolkata is perhaps the worst of the metros on those terms. He writes about the ‘immense cultural vacuum of North india’, and ‘looking towards Bengal for instruction’, and the decline of Allahabad and Benaras. But I realised that for me, those two places were perhaps teeming with culture and history. Again, in Murshidabad, he talks to a person who considers the Babri Masjid as just another mosque, while a nation still burns at regular intervals – the repercussions of an act long ago. The common theme is the relative nature of these things – they means different things to different people, all relative versions of the same thing equally real, when considered from each point of view.

    I remember thinking about progress during my Andaman visit. I saw it in its current state, and can visualise it in the years to come, as tourism becomes a larger factor in the scheme of things, and the changes it will invariably bring in, into a way of life. To quote from the book we’ve been discussing

    Civilisation, however, is on the move, and as E.M.Cioran remarks, nothing more characterises the civilised man than the zeal to impose his discontents on those so far exempt from them.

    When the tourist money flows into the system, it will help the locals afford many things that they perhaps didn’t have access to. But even those who do not wish to change might be sucked into this new way of life because it would be a question of survival. Were they better off and happier before all this happens to them? I don’t know, because after all, even happiness is so relative now.

    Objectivity –  based on observable phenomena and uninfluenced by emotions or personal prejudices, and not the result of any judgments made by a conscious entity. But everything is relative. Things not seen from one’s own perspective don’t seem to matter, and objectivity’s definition would suggest “no one’s perspective”. Maybe that’s why we don’t care for it much anymore?

    until next time, time, space and relativism

  • Fire Drill

    A few years ago, 3 to be precise, I might’ve been in the thick of it. The fire at Carlton Towers. My visiting card then carried this – Mid Day, 301, Carlton Towers…. No, I wouldn’t have been tweeting, because twitter would come into my life only three months later. But perhaps this was the reason the entire scenario bothered me, even as I sat watching the Twitter stream and the reactions. At first, i thought it was some minor mishap, and even cracked a mallu pun at TGIF’s expense. (@mixdev reminded me of that yesterday) But later, of course, I realised it wasn’t.

    I don’t watch news channels, so I was spared the repeated shots (a good post by my friend Nishant) of those tragic jumps. I was watching the stream though, and kept seeing retweets of @jackerhack , who was stuck in the building. I read about people jumping from the windows, and my first reaction was what the hell was wrong with them? What did they expect, a bloody bed of roses??!! And then I realised that there was no way I could even imagine, let alone understand what they must’ve felt in those moments. The closest I could get to is perhaps when I have trouble breathing. Now these are very very minor asthmatic attacks, but even then I know the intense desire to get one lungful of air. And that’s perhaps just a decimal percentage of the trauma those poor poor souls must’ve gone through.

    Trivialisation bothers me. I still read Malayala Manorama daily, and my biggest grouse with them is the way they capture deaths. Not events like the above, but individual deaths. Though I realise its perhaps a way of communicating to those who might not have known, reducing a life (and its end) to a few column cms with a matter-of-fact headline bothers me. Perhaps its some sort of block towards mortality. When @jackerhack ‘s (okay, he has a ‘real’ name, and its easier to type – Kiran), so, when Kiran’s tweets were retweeted by everyone who had access to an enter button, it somehow reminded me of the above. After some time, when he tweeted about not panicking, I was even mildly irritated. (Sorry!) If it was meant for the twitter audience, i was wondering whether the majority of the audience cared for him enough to panic, and for those who did care for him, I wondered if the words would do any good. Was the twitter crowd mature enough not to panic, or not to see this all as a “ok, big event happening, let me part of it” thing? Are we really so different from the media we claim to hate?

    Now he bloody obviously had reasons to do what he did, which he has articulated very well on his blog. I read and re-read and even before that, could empathise. And so, this is not so much about him as it is about us. Us, the crowd which blocked the roads there to take a look, us who sat watching on the tube or the stream, us the viewers and readers, us the voyeurs, and definitely me, who writes a post. Death makes a good story. With apologies to the few who don’t look at it that way, I wonder if being part of the excitement has taken a whole new turn when we’ve become the media on Twitter. Unlike the case with other media, when the crowd creates and consumes, who can complain? Yes, there are many cases in which relief and charity work have been augmented by Twitter, but this wasn’t such a case. Hopefully, all this is just me 🙂

    until next time, false fire alarms?