Author: manuscrypts

  • Loneliness and the AI evolution

    In a post that I found extremely poignant and true, the Guardian calls it out as The Age of Loneliness. It lists out the structural shifts causing this social collapse. “The war of every man against every man – competition and individualism, in other words – is the religion of our timeWhat counts is to win. The rest is collateral damage.” Seems we are but slaves of a ‘hedonic treadmill’, in denial.

    In earlier posts (The Art of Live In, Emotion as a Service) I’d written on how (IMO) even the micro-unit of society – the family- is ripe for disruption. At both societal and familial levels, I think the related fallout is an increasing lack of compassion and empathy, something that I notice a lot on Twitter, for example. Irony that the more connected we are, the more disconnected we are from each others’ emotions, and what impact our actions/inactions have. But guess who is coming to the rescue? Quite possibly, robots, that care! (12) (more…)

  • Empire of the Moghul: The Tainted Throne

    Alex Rutherford 

    The fourth and (I think) penultimate installment of the ‘Empire of the Moghul’. The book begins with Jahangir quelling Khusrau’s rebellion and ascending the throne. This episode, as well as his machinations to get back Mehrunissa, give us a sense of the ruthlessness in him.

    The book also brings out the chequered relationship between him and Khurram, who was also a favourite of Akbar. Though the main protagonists appear to be these two, the book is brought to life by Mehrunissa, portrayed as an intelligent and shrewd queen who will stop at nothing to make sure that she is a relevant force in the scheme of things. As Jahangir succumbs increasingly to opium and alcohol (possibly encouraged by the queen) she takes control of the running of the empire and then tries to ensure that Jahangir’s successor would also be her puppet. The narrative also features Europeans in fairly prominent roles and is a representation of their increasing presence in the subcontinent. (more…)

  • For Charlie to tango

    The interesting question is, just because something thinks differently from you, does that mean it’s not thinking? We allow that humans have such divergences from one another. You like strawberries. I hate ice-skating. You cry at sad films. I’m allergic to pollen. What does it mean to have different tastes – different preferences – other than to say that our brains work differently? That we think differently from one another?
    ~ The Imitation Game (via)

    I watched the movie last weekend, and this was one of the scenes that stayed with me. By sheer coincidence, the book I was reading then was The Age of Spiritual Machines, which dwells on the progress of artificial intelligence, and therefore, its impact on humanity. Humanity will be forced to reckon with AI sooner than later, (an earlier post) but long before that, we will need to learn to deal with ourselves. Have we really learned to live with our divergences? Take this as an example :

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  • Tapwater

    First published in Bangalore Mirror

    Wimpy’s is one of those Bangalore icons that serve as a good indicator of how long one has been in Bangalore. You can categorise Bangaloreans based on whether they were around when Wimpy’s was.  When I gave N the directions (map) to Tapwater, (on Brigade Road) her immediate reaction was “OMG, it’s Wimpy’s!” That iconic outlet no longer exists, I pointed out, and also realised that the new gastropub that has taken its place happens to have a name similar to something that is fast becoming extinct in Bangalore – Tapwater! The name actually seems to come from a key offering – beer on tap, which was yet to start when we visited. The basement location, the wooden benches, the lounge seating in the fringes, the lighting – all attempt a new age hangout ambiance. What kills it quite a bit is the musical hat tip to its underground placement – Pitbull, at volumes – in sound and quantity – to cause permanent damage! It was only fun at some points when the Kabaddi action happening on the other screen seemed to match steps with the music! The most interesting thing we noticed about the place was the crowd – a completely random mix of college kids, elderly families, foreigners, and Malayalis in traditional mundu! We drank it all in before moving on to what we came for – food and beverages.

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  • The Last War

    Sandipan Deb

    Sandipan Deb’s rendition of the Mahabharata in Mumbai. This is obviously not the first rendition of the Mahabharata in contemporary events – Tharoor’s The Great Indian Novel, Mani Ratnam’s Thalapathi, Prakash Jha’s Rajneeti – but this one manages to shift the scene to what seems like an apt arena – the Mumbai underground. Bombay is Kurukshetra and Bombay is the prize.

    As with all the other renditions, it is practically impossible to fit all characters and events into the new canvass, so the author has been clinical in removing characters and reshaping events to fit his narrative. On a positive note, the interpretation is not altogether flawed, but is written very clearly on a simplistic level. Many characters have been well etched and can be seen as very close parallels of their originals. There are also contemporary incidents like match fixing, 9/11 etc which have been woven into the plot.

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