Author: manuscrypts

  • The Kabali Experience

    Kabali had to be watched in the movie hall, I had decided as soon as I saw the first trailer. The hype that followed all but ensured that polarisation would happen, but I honestly didn’t care what the reviews said. Rajini’s “Kabali daa” in the trailer, to me, felt like a guarantee.

    jLIKGAvjm04lq

    (via)

    It isn’t a typical Rajini film, most people seem to agree on that. For instance, here I was, ready to jump up, whoop in joy, and throw a coin during the entry scene, and in an underwhelming introductory shot, he appears, the embodiment of calm in what’s touted as a gangster movie! And yet, in a few seconds, the movie started delivering on what I’d come for – the spellbinding swag that only Rajinikanth can pull off on screen! (“Koodave poranthathu, ennikkum pogadhu” 😀 #youremember) There are enough of those scenes in the movie to have kept the fan in me very contented. (more…)

  • The Permit Room

    My Instagram feed had been abuzz for a while with some very appealing photos of The Permit Room dishes, but travel (vacation, not the one from Whitefield to MG Road) meant that it took us a while to get there. Despite the TOIT pedigree, the concept and therefore the food, ambiance and decor all are completely different. No craft beer, ok?

    The name is a throwback to the days of Prohibition, and the food takes absolute liberties with good old South Indian cuisine. Spread across three floors, the decor is unabashedly kitsch – posters, quotes, art, matchbox collages, and the satirical take on taxidermy – all chuckle-worthy stuff.  We sat on the first floor, with a view of Garuda Mall.

    collage1 (more…)

  • “Both sides”

    A few months ago, when I wrote Hope Trope during what on hindsight seems like a particularly low phase of my mind’s wax and wane cycles, a relative wrote to me. She said the post almost made her cry, and as a person who has been reading my posts for a while, she felt that my tone was increasingly becoming personal and despondent. The first description was right, and I was conscious of it. The second I attributed to the struggle – when creating one’s own worldview and life that treads outside of the accepted standards, in things as diverse as work, progeny (or the lack of it) and faith. Teething troubles of a stoic outlook. (which I still strive for)

    I now realise that maybe she saw something I couldn’t because despite the best efforts, it is very difficult to remain objective about one’s own feelings. I cannot remember when I began to spend an inordinate amount of time on introspection. From experience, it is a double edged sword, it’s great to be conscious of one’s actions and words, but horrible when one judges the self as ruthlessly as I do, especially if the past gets dredged up. The amazing Book of Life has an excellent read on the subject using the folk tale of Androcles & the Lion as an allegory. I think I made all the mistakes the article points out – a wrong diagnosis, numbing the pain, and to a certain extent, applying the wrong medicine.  (more…)

  • The Palace of Illusions

    Chitra Banerjee Divakaruni

    Like I’ve said before, what does it say of a story when countless people, centuries later, can continue to render it in their unique way? It’s comforting to know that I’m not the only one who’s completely enthralled by the phenomenon that is The Mahabharata. It’s even more heartening when renditions are such that they do justice to the epic.

    This is the Mahabharata told from the viewpoint of Draupadi, and as a reader, I could easily believe this to be indeed her autobiography. I could sense the changes in Draupadi with time, not just in her behaviour, but also in her perspectives and even the words she uses. It is almost as though the author walked in her shoes! It is difficult to bring anything new to the table with regards to the basic story itself, but the author manages it with the help of at least three devices – the role of Karna in Draupadi’s life, the perspectives of a female protagonist and finally, the interpretations Draupadi draws of and from the events that happen around her. There is a fourth too, that lends a uniqueness to this retelling – the Palace of Illusions, and what it does to Draupadi’s own perspectives. (more…)

  • Binary Code

    Facebook is in the process of updating its Newsfeed algo again so that we see more posts from friends and family, and less from ‘Pages’. Great news, except that when every person is media, and there is a limit to the pruning one can do, the feed will still consist of biases, prejudices, hoaxes, paid endorsements without disclosure, and yes, cat videos, Lincoln’s quotes on self driving cars, click bait and baby pics. My point above is less about filter failure and more about the continuing explosion of content and its distribution to set the context.

    But now let’s talk about filters. The sheer volume of content means that (in general) the reader will want quickly digestible information before he/she moves on to the highly entertaining video waiting in line. Absolutely connected to ‘the demise of the middle ground in the attention economy‘. The article talks about nuance in political debate getting lost, but I think its reach extends beyond that. As this fantastic Guardian article “How technology disrupted the truth” states, “..everyone has their own facts“. But why do this happen? (more…)