RentMyText.in aims to make education more affordable and accessible with an online textbook rental service. In conversation with founder Vishesh Jayanth..
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RentMyText.in aims to make education more affordable and accessible with an online textbook rental service. In conversation with founder Vishesh Jayanth..
[scribd id=112691900 key=key-1bgzu6i0g0nbntjvqaxh mode=scroll]
This post has been pending for a while, the date of publishing of the article that inspired the post is evidence enough. It is about people who leave their jobs to follow their passion, but instead of the success stories we are used to, it focuses on the difficulties on that path. Even if you’ve not taken that path already, it’s quite possible that you have contemplated it. It’s romantic – the freedom, being your own boss and doing the thing you like – Plan B. But it’s not easy, and it begins as early as even identifying one’s passion. (must read)
Interestingly, NYT themselves had an article almost a year later that asked “What Work is Really For” and answered that with an Aristotle quote “we work to have leisure, on which happiness depends.” Though I didn’t know about this quote until recently, this is a perspective that I have often used to debate with people who say those who do not like their jobs should quit. There are many reasons why people don’t, and one of them is consciously making a choice to work (possibly on things they don’t enjoy) for the 2 days (and vacations) when they are able to spend their resources – money, effort and time – on things they enjoy.
The reasons people don’t scale up those 2 days could be many, including the difficulties involved in the early stages of setting up, and then maintaining a positive balance – of money and life. Money is after all an essential resource. It buys things, it opens doors. But when your passion becomes your work and your principal source of money, does it feel the same? Or does it become a job?
I liked the second NYT article also for its last 3 paragraphs. It addresses the money conundrum. It talks about how right from when we are born, we are taught to be consumers, thanks to capitalism, which though calls itself an open market where we have the freedom to buy is actually a system unto itself. The choices are not really independent. It points out that education should be meant to make us self determining agents. True freedom requires that we take part in the market as fully formed agents, with life goals determined not by advertising campaigns but by our own experience of and reflection on the various possibilities of human fulfillment. But that’s not an easy path either. It calls for independent thinking and a subjective view of fulfillment and happiness. And that brings us to the familiar “to each his own”
until next time, work it out 🙂
Bonus Read: Six Rules to guide your career
Aravind Adiga
Halfway between Calicut and Goa lies Kittur, the scene of Aravind Adiga’s collection of stories, set in the seven year period between the assassinations of Indira and Rajiv Gandhi. But then, despite some very 80s characteristics, the timeframe hardly matters, this could’ve been set in contemporary years too, for as a character says “Nothing ever changes. Nothing will ever change.” One instant comparison I could make was with Malgudi Days. That however ends with the similarity of multiple characters in the same town that is described in great detail – you can picture yourself in the town walking along its roads and identifying places and people.
As the book summary says, the stories slowly bring out the moral biography of the town with its diverse set of characters – from the Dalit bookseller whose kosher relationship with the police is disrupted when he is caught selling ‘The Satanic Verses’ to the ‘sexologist’ who ends up supporting a boy with a venereal disease, and from the ‘mosquito man’ who tries to set limits for the relationship between a servant and his mistress to the mixed caste boy who detonates a bomb in his school.
The book worked for me because the author has managed to flesh out his characters superbly across financial class, religion and schools of thought (political, philosophical) and use the friction between them to drive the stories. In that sense, each story is probably a different style, but the subtext of pent-up fury tinged with sadness cuts across.
An excellent read both as an exploration of a microcosm of India as well as the different shades of human relationships and morality.
Grocery, staples and over 7000 products delivered to your home, courtesy BigBasket.com. In conversation with co-founder and CEO Hari Menon.
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