Collective bargain

“The way they speak about dinosaurs now, a few years later, that’s how they will talk about the mill workers”, says a character in City of Gold, a Hindi film by Mahesh Manjrekar, adapted from a play by Jayant Pawar. Its based on the Great Bombay Textile Strike. A decent movie, with some great performances and with its share of stark realty, though parts of the second half had a Bollywood melodrama hangover. I guess the response at the multiplexes (many of which are ironically what the mills gave way to) wasn’t really great either. But it was a story that had to be told.

The subject has interested me earlier too. To be precise, in 2005, my last official trip to Mumbai. The office was at Peninsula Center, and when I looked out through the windows, I could see a few chimneys. I wondered enough to come back and read up a bit. I was curious because amidst the RGV underworld flicks and the contemporary images I had of Mumbai, this seemed to be a part of history that had never figured in conversations. A legacy that seemed to be buried in the collective consciousness.

A single movie might not really be enough to cover the individual lives that were affected, though it does try to portray a microcosm. But as the line in Frost/Nixon goes “You know the first and greatest sin of the deception of television is that it simplifies; it diminishes great, complex ideas, stretches of time; whole careers become reduced to a single snapshot.”

Though it is said in a different setting, and context, the connect I sensed was legacy. How a person is perceived by a later generation. Artists have their paintings, actors/directors/crew have their movies, politicians, sportsmen/women have their auto/biography/memoirs, authors have their books, musicians have their music, they have a better chance at being remembered by a larger number of people, long after they’re gone, a better chance than us, the commons. A  collective’s legacy would be the place and time they lived in  – the larger picture, their collective actions, the people who became popular, the events that shaped the future. What happens if a collective chooses not to remember, or chooses to remember only parts? Who does it matter to then?

until next time, decadent chronicles